When I wrote this review, I hadn’t yet seen the film V for Vendetta (2005) starring Natalie Portman and Hugo Weaving but I just finished Alan Moore’s and David Lloyd’s graphic novel (originally a ten-issue comic book series) and thought, given the wide use of the Guy Fawkes mask by “hacktavist” group Anonymous and some protesters with the Occupy Wall Street movement (which is worn in both the comic book and film versions of the story by the main character), that it was high time to look at the source material for these modern, real-life responses to what we think of as oppression in our world.
The original comic book series was developed and published in 1985 by writer Alan Moore, a self-proclaimed anarchist, and artist David Lloyd. Essentially it is one in a long series of dystopian dramas set in the near future (the late 1990s in the comic book series), this time in England. A nuclear war has destroyed much of the developed nations of the world but left England untouched, at least directly. In response to the war, a totalitarian government has come to power, styled after the Nazis, and has seized total control of the country. Much like Orwell’s 1984, omnipresent government surveillance observes the public, while a propaganda campaign continually feeds the citizens the usual “the government is on your side” messages, underscored by threats for thinking otherwise. Headed by “the Leader” who uses organizations called “Nose,” “Ear,” and “Mouth” as detection and communication conduits, and an information system called “Fate,” every aspect of an individual’s life is monitored and controlled.