Cover image for the anthology “The Trench Coat Chronicles”
Once upon a time, I wrote a story about a private detective named Margie Potter. She lived and worked in San Francisco in the year 1947. The original story was really “adult oriented” and “gritty” but the people who wanted to publish it wanted something more “Young Adult” themed. That, plus the word count restriction, made me cut the story in half. Fortunately, it still worked.
Then the publishers Ann and Ruth wanted to interview me. No, not just me, but all of the authors featured in the anthology The Trench Coat Chronicles. So here we are at last.
A couple of days ago, I posted a commentary about COVID and vaccines and I took great pains to shield the source of my conversation.
But when I woke up this morning and checked in on twitter, I found that the “haters” had discovered my commentary and decided to call me a bunch of names. No, it had nothing to do with “science” or “evidence.” It had everything to do with them being bullies.
Cover image for the anthology “The Trench Coat Chronicles”
Last Fall, my short story “The Haunted Detective” was published in Ruth Littner’s and Ann Stolinsky’s mystery anthology The Trench Coat Chronicles.
Just a few days ago on Facebook, their interview of me was published. In a few more days, it will appear on the Gemini Wordsmiths webpage.
Until then, here’s a small sample:
I just had an interesting “debate” on twitter. Someone I follow (and who doesn’t follow me) said something about the vaxx-denier at work being on again about the person in question getting vaccinated.
I’ve heard the word “denier” used more or less in the same context as “racist” or “child molester,” as if someone does not have the right to hold a different opinion on the topic, and doesn’t have the right to choose NOT to receive the COVID vaccine.
I didn’t respond to this person directly, but I did retweet his message as a quote and added one of my own. He responded and, as I said, because I like him (although I’m sure he thinks I’m the Son of Satan for being such a difficult human being) and generally think he’s a good person, I am paraphrasing him in the following image as he responds to me.
Cover image for L. Jagi Lamplighter’s book “The Art and Craft of Writing”
A little over two years ago, a small group of aspiring authors accepted an invitation from L. Jagi Lamplighter to take an online writing class she was developing. Since it was in its nascent phase, she called it her “Guinea Pig” class. Guess who the lab rats were?
I took the class for three reasons. The first was I had the time, fortunately. The second was because, being “experimental,” Jagi offered a terrific discount, and third (and most important), I knew I had to “up my game” as a writer.
Up until that point, I was fueled on classes I’d taken in the very distant past, those books on writing that I’d managed to lay my hands on, and a lot of imagination.
That wasn’t going to be enough if I really wanted to become at least semi-skilled at writing interesting stories.
So I took her class and, in the process, not only began to improve my craft, but I met a group of really great people at the same time.
Promotional image for my short story “Homeward” to be featured in Deep Space volume 2
I finally got the “go ahead” to announce that my nearly 10,000 word count science fiction story “Homeward” is being featured in the Black Hare Press anthology Deep Space Volume 2.
Here’s a wee sample:
I’m very happy that my fellow author Brian – James, otherwise known as “Damaged Skull Writer” reviewed the Terror Tract Publishing horror anthology 7 Deadly Sins.
It features my short story “The Babel Project” (Pride). The review states in part:
This was the last place Jani wanted to be, in the middle of a mob outside some ancient…no, not just an ancient building, but a historical one. It used to be the Capitol of the old United States of America, but that was long ago. The nation fell like all of the other empires before it. The ideals of freedom, unity, and courage were consumed by greed, collectivism, and so-called inclusiveness.
She knew better, but only because it was in her history books.
“Come on, Lucifer. We’ve got to get out of here.”
statue of the famous “Sexy Robot” created by Hajime Sorayama
In the past, I’ve written about some rather unusual technological trends we can expect in the near future. One in particular should be very much anticipated, but sometimes too personal to talk about. I’m discussing sex with machines.
My previous commentaries are When Your Sex Toy Tattles on You, An AI Sexbot That Can Love You, and Will People Be Marrying Machines by 2050?.
But compared to what I’ve been reading on the progressively sanctioned twitter and Facebook platforms, frankly, people “marrying” their sexbots by 2050 or sooner actually wouldn’t surprise me. More’s the pity.
However, yesterday, I came across an article on LinkedIn titled Smart sex toys come with Bluetooth and remote hijacking weaknesses.
Cover art for Richard Paolinelli’s novel Galen’s Way
Richard Paolinelli’s novel Galen’s Way: A Starquest 4th Age Adventure attempts to re-capture the bygone era of space operas and makes a good run at it, but the cost is encountering more than a few space opera stereotypes.
Galen, a mercenary and smuggler, formerly an elite soldier, is covertly hired by a royal emissary to retrieve a kidnapped Princess from a fortress planet. The job, although sounding difficult, is almost too easily accomplished. However, what he finds is not one Princess, but four, plus a dark plot that spans an interstellar kingdom. In the course of this small saga, Galen alternates between encountering almost helpless and buffoonish bad guys to allowing himself to be captured and violently tortured just (seemingly) to get information.
On the run with the beautiful Princess Rhiannon and his spaceship’s (typically) sarcastic AI Cassandra, they must outwit bounty hunters and professional assassins to unravel a twisted conspiracy and restore justice to the galaxy.