Cover art for David Weber’s “On Basilisk Station”.
In my continued effort to review Baen Publications, I’ve just finished reading the first novel in David Weber‘s “Honor Harrington” series On Basilisk Station.
It was kind of hard to get into. Weber has a tendency to lapse into long pages of dense exposition, which tends to put the reader into one person’s head (more often than not, Honor’s) than into the action.
However, if you can power through that, you finally get to a space opera laced with political intrigue, the dynamics of provincial planetary plotting, and then the climax of classic space battle.
Weber seems to have a background in military strategy, which shows in how he depicts martial activities, both in space and on the planet. However, there were times when life aboard Honor’s ship “Fearless” felt a little like “Star Trek.”
The one thing that would have made his book better would be to cut back on each character seemingly talking too much about themselves. Also, antagonists like Lord Pavel Young and the ultra-wealthy Klaus Hauptman weren’t as prominent or as formidable as I expected them to be based on how they were initially presented.
Cover art for Richard Paolinelli’s novel Galen’s Way
Richard Paolinelli’s novel Galen’s Way: A Starquest 4th Age Adventure attempts to re-capture the bygone era of space operas and makes a good run at it, but the cost is encountering more than a few space opera stereotypes.
Galen, a mercenary and smuggler, formerly an elite soldier, is covertly hired by a royal emissary to retrieve a kidnapped Princess from a fortress planet. The job, although sounding difficult, is almost too easily accomplished. However, what he finds is not one Princess, but four, plus a dark plot that spans an interstellar kingdom. In the course of this small saga, Galen alternates between encountering almost helpless and buffoonish bad guys to allowing himself to be captured and violently tortured just (seemingly) to get information.
On the run with the beautiful Princess Rhiannon and his spaceship’s (typically) sarcastic AI Cassandra, they must outwit bounty hunters and professional assassins to unravel a twisted conspiracy and restore justice to the galaxy.
Image captured from Amazon
In some ways, E.E. “Doc” Smith’s third Lensman novel Galactic Patrol feels like the first “real” Lensman novel. I suppose that’s largely due to the character Kimball Kinnison having a central role in the book. He is the Lensman hero I think all of my friends looked up to when these books were popular when I was in Junior High in the late ’60s. Of course I also think these novels were better consumed over 50 years in the past by boys between the ages of 12 and 14 than they are by a fellow in his late 60s today.
It also hung together a bit better than the previous two (“Triplanetary” and “First Lensman”). That said, most of the book felt incredibly episodic. It was like a television show where the season hadn’t been plotted out cohesively from start to finish. A great deal of the action bounced all over the place, introducing seemingly random characters, planets, and events throughout the first two-thirds of the story.
Eventually, Smith was able to tie (most) things together showing relationships in the last third, but even that seemed rushed.
Cover art for the 1968 edition of “First Lensman”
I’ve been reading the legendary E.E. “Doc” Smith‘s Lensman series recently. After Triplanetary (1948 – originally published as a serial in 1934), which really wasn’t about the Lensmen, but did introduce a few key characters, came First Lensman (1950) which still gave off more of a 1930s flavor.
While readers get their first real glimpse into the lives and power of the Lensmen, the tale reveals itself as terribly dated. The “good guys” are very “North American” centric, women don’t have minds compatible with interacting with the lens, and our guys are scrupulously honest and forthright.
As with “Triplanetary,” I sometimes found it difficult to keep track of scene changes and figure out where I was in the story from one point to the next.
Along with the purely space opera aspects, there were heavy political overtones, no doubt reflecting Smith’s actual viewpoints.
Image captured from Amazon
Over 50 years ago, when all the other guys in Junior High were reading E.E. “Doc” Smith‘s Lensmen series, I was reading his Skylark series, and loving it. I tried re-reading Skylark of Space, the first novel in the series, several years ago, going so far as to buy a paperback copy. It was tough to swallow because it was originally written in the 1930s (the stories were originally serialized in the ’30s and then published in novel form in the 1940s – they had a resurgence in the 1960s and became incredibly popular with teenage males), and comes across as extremely dated. I didn’t notice it when I first read the book, but then I was only 14 at the time.
I’ve owned a copy of Triplanetary, the first in the “Lensmen” series, for years, but every time I tried to read it, I never got past the first few pages. I think it was our hero and heroine enjoying a ballroom dance aboard a spaceliner that put me off. Very 1930s.
Cover art for John Scalzi’s 2017 novel “The Collapsing Empire”
I recently downloaded a free copy of John Scalzi’s novel The Collapsing Empire from TOR.com. It was part of a promotion of the third novel in this series The Last Emperox being published later this month (as I write this).
Scalzi comes with a rather stellar reputation and background, having won two Hugos and been nominated for other awards, but the proof of an author is in the writing, not the rep (as least as far as I’m concerned), so I thought I’d give him a whirl.
But first, the kudos I gleaned from Amazon:
“John Scalzi is the most entertaining, accessible writer working in SF today.” —Joe Hill, author of The Fireman
“Fans of Game of Thrones and Dune will enjoy this bawdy, brutal, and brilliant political adventure” —Booklist on The Collapsing Empire
Screen capture from the Sol planetary anthology promotional video
As with the Mars planetary anthology, the Sol planetary anthology now has its own promotional video.
“Sol” features my science fiction short story “The Pleiades Dilemma,” the tale of an interstellar interloper into our solar system that not only seems piloted, but is on a direct course for our Sun. The question is, will this probe save humanity or destroy it?
Cover image for Neal Asher’s novel “War Factory”
Disclosure: My short story “Joey” appears in the Zombie Pirate Publishing science fiction anthology World War Four. It also features Neal Asher’s novelette Monitor Logan.
Neal Asher’s War Factory is the sequel to his novel Dark Intelligence and the second in his “Transformations” trilogy.
We continue to follow the travails of a plethora of characters, human, Prador, AI, and other, all orchestrated by the dark AI Penny Royal, who has mysterious motivations for manipulating lives and even entire regimes.
Asher remains a top author in the crafting of space operas, interweaving a large cast of players on his interstellar stage, this time upping the game. Penny Royal leads herself, the assassin droid Riss, and Thorvald Spear on a journey to rediscover their beginnings, which for the mechanized members, is a massive space station. “Room 101” was a sapient intelligence who felt a maternal instinct toward her martial creations, and who, when on the verge of destruction, did the unthinkable.
Cover art for Richard Paolinelli’s novel “Escaping Infinity”
I’ve wanted to read and review one of Richard Paolinelli’s novels for quite some time now, since I previously reviewed his short story The Last Hunt which was featured in last year’s Superversive Press anthology To Be Men: Stories Celebrating Masculinity. I finally got my opportunity with Escaping Infinity, a 2017 Dragon Award Finalist.
As I got into Paolinelli’s book, I found it had some similarities to Australian SciFi writer Matt Reilly’s 2000 novel Contest. In both books, an innocent couple is thrown into a highly unlikely environment where they must solve a series of challenges in order to survive. In Reilly’s case, it was the location was the main branch of the New York City Public Library, and in Paolinelli’s novel, it’s a seemingly five-star hotel located in the middle of the Arizona desert, miles away from where any such structure has a right to be.
Peter and his friend and co-worker Charlie are driving to Phoenix for a business trip and become lost. Running out of gas and miles from nowhere, they come across an incredibly futuristic and opulent hotel called “Infinity.” Once inside, they realize the hotel and casino can provide a virtually unlimited supply of pleasures and experiences, enough to keep them there for a lifetime, which seems to be the idea.
Cover art for Neal Asher’s 2015 novel “Dark Intelligence.”
Disclosure: My short story “Joey” will be published in the upcoming Zombie Pirate Publishing anthology World War Four which also features the novelette “Monitor Logan” by best-selling author Neal Asher. Watch for the anthology on Amazon starting March 1, 2019.
I must admit that prior to being informed of the above, I had never heard of Asher or his works, though scanning his published novels, I was certainly impressed. Since we’d be “sharing” the inside of an anthology, I felt I should get to know his writing a bit better, and so selected Dark Intelligence: Transformation Book One (2015) as my introductory novel.
There was a superficial resemblance to Alastair Reynolds’ 2008 collection of short stories (all set in the same universe) Galactic North, particularly in the area of “medical atrocities,” but other than that, they’ve both described unique universes.
The novel is an ensemble piece, however the main protagonist, and the only one who speaks in first person, is a man called Thorvald Spear, who was killed in a war a century before by the rogue AI Penny Royal, or so it seems. Spear is revived with a strong desire to revenge himself on the supremely powerful Penny Royal, but as he continues to pursue her, he becomes uncertain if some, or any of his memories are truly his rather than images implanted by the AI in order to manipulate him.