I just read an essay by Katie Naum at the Electric Lit website called The New ‘Fahrenheit 451’ Movie Fails to Reckon with Bradbury’s Racism.
First of all, I had no idea HBO had remade the film adaptation of Bradbury’s classic novel (I have seen the 1966 film version, and of course I’ve read the novel a number of times). Secondly, Ms. Naum and I seem to have read very different novels titled Fahrenheit 451 and authored by Ray Bradbury.
Here’s what I mean, quoting from Naum’s essay:
I still have that same copy of Fahrenheit 451 — a trade paperback edition printed circa 1993, whose creased cover and flammable pages are already yellowed and crumbling. I reread it prior to watching the new film version, starring Michael B. Jordan as protagonist Guy Montag, and Michael Shannon as his boss — and ultimately, the bad guy — Captain Beatty. The novel was largely as I remembered it, until I got to the end. At the back of the book, there are a few pages Bradbury wrote decades later, in 1979, where he gets into what he thinks the real threat to literature is. I’d forgotten that reading this coda as a child always left me feeling uncomfortable, in a way I couldn’t fully interpret yet.
He is angry at a “solemn young Vassar lady” who asked whether he might write more female characters. He is angry at other readers who disapprove of how he wrote “the blacks” in one of his stories. He is angry at “the Irish,” “the Chicano intellectuals,” at “every minority” that has some perspective on his stories at variance with his. In his own words, every last one of them “feels it has the will, the right, the duty to douse the kerosene, light the fuse…. Fire-Captain Beatty, in my novel Fahrenheit 451, described how the books were burned first by minorities, each ripping a page or a paragraph from this book, then that, until the day came when the books were empty and the minds shut and the libraries closed forever.”
Sorry for the lengthy quote, but I wanted to provide enough specific information to convey the issue at hand.