Book Review of “Error Code: 22 Tales of Robots and AI” (2025)

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Cover art for the “Error Code” anthology

Yesterday, I finished reading the small anthology Error Code: 22 Tales of Robots and AI by Eric Fomley and Addison Smith.

It was produced by Shacklebound Books which I gather is a small, indie publisher. They’ve got quite a collection of anthologies listed on Amazon.

Each story is quite short and the book is a quick read (130 pages in print, though it’s available only on Kindle as far as I can tell).

Like many such anthologies, the stories fall into three categories:

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The Days When You Could Read Everything

Image captured from Amazon

If you like my work, buy me a virtual cup of coffee at Ko-Fi.

Periodically, I get emails from Reactor Magazine. I must have signed up for them once upon a time. I usually scan the article titles and then delete the email unless something especially captures my attention. After all, so much of science fiction and fantasy targets an audience other than me.

But today, I saw the article When Did SFF Get Too Big?. The subtitle is, “Is it possible to pinpoint the moment when readers stopped being able to keep up with their favorite genres?”

I didn’t know this had ever been an expectation. That is, I hadn’t realized that lovers of science fiction and fantasy were supposed to read each and every title produced in the genre in a given year. Especially if you’re talking about reading all these books just as they’re published (brand new), that’s a lot of money to shell out (maybe some will end up in the “New Titles” section of the public library, but still…). How do you know you’re going to like each and every book? What if you know that some authors generally produce dreck but keep getting published anyway?

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Publishers and My Trust Issues

 

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Promotional image for the Black Hare Press anthology “Lockdown Sci-Fi #3”

Remember this? I announced that my short story “The Apollo Containment” was to be published in the Black Hare Press anthology Lockdown Sci-Fi #3. I’ve even got my signed copy of the contract to prove it.

However, last night when I happened across the publisher’s Facebook page promoting Lockdown Sci-Fi #4 including a list of stories and their authors (and I wasn’t on the list), I asked about it. I got a rather terse response like “Where did you hear that? No story is accepted until we announce it here.” I immediately deleted my FB comment. They also mentioned something about stories being shuffled around, so maybe “Apollo” will still see the light of day, but who knows?

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