Cover art for Aidan Reid’s novel “Yage.”
It’s been quite a while since I reviewed Irish indie author Aidan J. Reid’s mystery novel Sigil. The book introduced Father Tom Regan, a Catholic Priest with a nose for mysteries, and particularly the bizarre.
Yage is the second in the “Tom Regan Thriller” series, and this time, Reid takes it up a notch.
Based on his own drug use experiences under somewhat similar circumstances, Reid takes Father Regan to Peru, ostensibly to meet his young niece Louise, who has been hiking throughout the Peruvian region, but also to process his own crisis of faith, particularly in light of the conclusion of the Sigil ordeal.
What Regan finds is a mystery he didn’t ask for and one that puts the life of his niece at risk. Slowly putting the clues together, he finds that Louise is only one of a number of victims of a mysterious shaman, who is somehow tied to the Yage tourist trade, people from western nations who pay local companies to administer and monitor their use of a hallucinogen for a variety of personal purposes. Tom himself must undergo this challenge in his desperate efforts to find his missing niece. Along the way, he finds unlikely allies in the form of a local priest, other tourists, and another young woman he must use, and put at risk, in order to discover what happened to Louise.
Cover art for Neal Asher’s 2015 novel “Dark Intelligence.”
Disclosure: My short story “Joey” will be published in the upcoming Zombie Pirate Publishing anthology World War Four which also features the novelette “Monitor Logan” by best-selling author Neal Asher. Watch for the anthology on Amazon starting March 1, 2019.
I must admit that prior to being informed of the above, I had never heard of Asher or his works, though scanning his published novels, I was certainly impressed. Since we’d be “sharing” the inside of an anthology, I felt I should get to know his writing a bit better, and so selected Dark Intelligence: Transformation Book One (2015) as my introductory novel.
There was a superficial resemblance to Alastair Reynolds’ 2008 collection of short stories (all set in the same universe) Galactic North, particularly in the area of “medical atrocities,” but other than that, they’ve both described unique universes.
The novel is an ensemble piece, however the main protagonist, and the only one who speaks in first person, is a man called Thorvald Spear, who was killed in a war a century before by the rogue AI Penny Royal, or so it seems. Spear is revived with a strong desire to revenge himself on the supremely powerful Penny Royal, but as he continues to pursue her, he becomes uncertain if some, or any of his memories are truly his rather than images implanted by the AI in order to manipulate him.
Cover art for Matthew Reilly’s novel “Contest.”
Sometime last summer, I wrote a short piece of fiction on this blog, and one of the comments made about it was that it was vaguely reminiscent of Matthew Reilly’s novel Contest.
Intrigued, I discovered that my local public library system had a copy, so I checked it out and started reading (however, I forgot to write a review until now).
Actually, the novel was originally self-published in 1996 when Reilly was age 19. Then Cate Paterson, a commissioning editor from Pan Macmillan, found a copy of in a bookstore and subsequently signed Reilly to a two-book deal. Apparently, Reilly had success with later novels as well.
Reilly is an Australian, but he chose to set his tale in New York City, specifically the main branch of the New York City Public Library (which was featured at the beginning of the 1984 film Ghostbusters), and his main characters are New York natives, which is where he starts to get into trouble.
Actually, I liked the book, but he introduced plot holes big enough for me to walk through, and he occasionally called things like the trunk of a car “the boot,” not keeping it straight in his mind that the people thinking these thoughts were American.
Screen capture from twitter
Yesterday, I wrote and posted a book review of SF/F author N.K. Jemisin’s Hugo award-winning novel The Fifth Season, both here on my blog and on Amazon (considering Goodreads as well).
Screenshot from twitter
I then posted links of my review on twitter and in a private writer’s group on Facebook. As you can see by the accompanying screenshot, I included Ms. Jemisin’s twitter “handle” in the body of my message in case she might want to read the review (and what author doesn’t want to read reviews of their books?).
As an aside, before someone mentions it, I suppose I could be accused of “trolling” Jemisin…except I wasn’t. All I did was put @nkjemisin into the body of my tweet which also contained a link to my review of her novel. If I had put her handle as the very first word in the tweet, it would have gone straight to her and it would not have appeared in my twitter feed. I didn’t do that. I wasn’t exclusively “aiming” my tweet at her, though I certainly wouldn’t have minded if she saw it and read the review. I suppose she could have taken it the wrong way.
Now to continue:
I popped over to her twitter account just for the heck of it and gave it a brief read. I don’t recall the specific content. I was just curious.
This morning, I decided to post another tweet referencing my review. I do this several times in twitter since folks might miss it the first time or two. I decided to include Jemisin’s twitter name once more, and out of curiosity, visited her twitter account again. Lo and behold, I was blocked. What the heck? What happened in the last 22 hours or so?
Cover image of NK Jemisin’s 2015 Hugo Award winning novel “The Fifth Season
“Jemisin is now a pillar of speculative fiction, breathtakingly imaginative and narratively bold.”―Entertainment Weekly
“Intricate and extraordinary.”―The New York Times
“[The Fifth Season is] an ambitious book, with a shifting point of view, and a protagonist whose full complexity doesn’t become apparent till toward the end of the novel. … Jemisin’s work itself is part of a slow but definite change in sci-fi and fantasy.”―Guardian
“Astounding… Jemisin maintains a gripping voice and an emotional core that not only carries the story through its complicated setting, but sets things up for even more staggering revelations to come.”―NPR Books
“Jemisin’s graceful prose and gritty setting provide the perfect backdrop for this fascinating tale of determined characters fighting to save a doomed world.”―Publishers Weekly (Starred Review)
“A must-buy…breaks uncharted ground.”―Library Journal (starred review)
“Jemisin might just be the best world builder out there right now…. [She] is a master at what she does.”―RT Book Reviews (Top Pick!)
“Wait! What? Sure, it’s an interesting story, but… –Me
I’ve read most Hugo nominated and award-winning novels from 1988 back to 1958, when the Hugos first came into existence, but recently, I decided for the sake of fairness, I should consume more recent popular SF/F novels and stories to see how cultural perception is changing the landscape of speculative fiction. The fact that N.K. Jemisin is a three-time Hugo award winner wasn’t lost on me, particularly after having read her latest
controversial historic Hugo Award acceptance speech.
Fortunately, The Fifth Season (2015), the first book in “The Broken Earth” series, was available through my local public library system. Given its obvious “hype,” I was hoping for something spectacular and afraid that it wouldn’t be.
Cover art for Jon Del Arroz’s novella “Knight Training”
Yesterday, I finished reading Jon Del Arroz’s short story Knight Training, a small steampunk piece that’s part of his For Steam and Country universe. I won’t post these first few paragraphs at Amazon, but I feel it necessary, given the criticism I receive every time I mention Mr. Del Arroz on this blog, to say something about him, or at least how some folks perceive him.
About a year ago, another author, Jim C. Hines, wrote a scathing criticism of Del Arroz that he titled Jon Del Arroz’s History of Trolling and Harassing. I was doing some research on Del Arroz via Google and came across the missive (and it’s the only reason I became aware of Mr. Hines and his writing since he otherwise was not on my radar). If all this is true, it makes Del Arroz a pretty terrible person.
On the other hand, Del Arroz’s fellow writer Richard Paolinelli says he’s a pretty good guy. I like Richard and have no reason to doubt his word, but I must admit, I see two sides to a man who calls himself “The Leading Hispanic Voice in Science Fiction.”
Cover image for Mark Hodder’s 2010 novel The Strange Affair of Spring Heeled Jack
Some months ago at work, a friend of mine and I got to talking about steampunk as a sub-genre of science fiction, and, long story short, he recently lent me his copy of Mark Hodder’s 2010 novel The Strange Affair of Spring Heeled Jack: A Burton and Swinburne Adventure.
Basically, Hodder takes real places (London specifically) and actual historical figures, such as Sir Richard Burton, poet Algernon Swinburne, Charles Darwin (yes, that Charles Darwin), and Florence Nightingale, and transforms them into bizarre, distorted, “steampunkish” versions of themselves in a much larger than life adventure set against a highly improbable background.
The result is an amazing romp that could never have happened (time travel notwithstanding) but is nevertheless, is a lot of fun.
Recently, I said that I’d be making a concerted effort to read more recently produced science fiction novels and stories as defined by those having been published within the last ten years or so. Mr. Hodder’s novel certainly qualifies, so here we go.
Cover image for Elizabeth Bear’s novel “Chill”
Today, I finished the science fiction novel Chill by Hugo and Sturgeon award-winning author Elizabeth Bear. Unfortunately, when I checked it out of my local public library, I didn’t notice that it was the second installment in the three-part Jacob’s Ladder series.
The series tells the tale of a generation ship, a proposed means of crossing interstellar space by having a space vessel carry multiple generations of people across long distances at relatively slow speeds. It’s a trope that’s very familiar with science fiction fans.
Ms. Bear did something new, but it was hard for me to figure out exactly what, since I was coming into the story in the proverbial middle of the second reel.
Apparently the generation ship, Jacob’s Ladder starts out in the first novel “Dust” trapped in orbit around a doomed star, using its resources to replenish the ship’s damage. I don’t know how that works, and like I said, I’ve never read the first book.
Cover image for the novel “The Man in the High Castle” by Philip K. Dick
My son Michael and I were talking about the television series The Man in the High Castle, which is based on the 1962 novel of the same name authored by the late Philip K. Dick. I’ve never seen the television show (and probably never will), but I did recall reading the novel sometime back in the 1970s.
Unfortunately, that’s all I remembered about it. Curious, I decided to check a copy of the book out of my local public library and re-read it.
The novel is set in the year it was published and postulates what the United States would have been like if the Axis powers had won World War Two thanks to the Nazis having developed the atomic bomb first.
The US is divided into three zones, with the Nazis in control of the East, the Japanese in control of the West, and a sort of DMZ existing across the Rocky Mountain States.
The “Man in the High Castle” refers to the author of a controversial novel called “The Grasshopper Lies Heavy” written by the mysterious Hawthorne Abendsen. It postulates what the world would have been like if the Allies had won the war. The book is tolerated in the West, but the Nazis have made it illegal in the East and there are rumors that there’s an ongoing attempt to assassinate the book’s writer. Thus Abendsen is said to live in a fortress (“High Castle”) in Cheyenne, Wyoming.
Cover image of Kent Wayne’s “Echo Volume 3: The Dialectic of Agony”
I’ve been following Kent Wayne’s (pen name) Echo series for a few years now. Kent is an indie author with a vision for life on and in orbit around a colony world called “Echo” set a thousand years in the future. Being a veteran, he renders military action with a keenly realistic voice, sometimes going over the top. After reviewing Echo Volume 1: Approaching Shatter over two years ago, and Echo Volume 2: The Taste of Ashes last October, I was anxious to get into the third installment, Echo Volume 3: The Dialectic of Agony.
“Agony” takes a very dramatic twist away from the first two novels. In “Shatter,” we are introduced to “Crusader” Kischan Atriya, an elite soldier who is becoming dissatisfied with his role as “Crew” but is unable to articulate why. He gets in deep with members of a despotic religious order who have ordered his death, and after a brief encounter with his mentor, the mysterious Verus, we follow him in a slow descent into what could be the end of his life, engineered by his own supposed allies during a mission into a “Scape.”
Volume 2 picks up right where the first tale leaves off, and the reader is thrust into an adrenaline-fueled power dive with wall-to-wall combat scenarios, the first half of the novel being non-stop action. Atriya manages to survive, thanks to his specialized enhancements, his own wits, and his unimpeachable sense of honor, but at a terrible cost to his body and mind. Having barely survived by the end of the story, he has few options left, all of them leading to tragedy and death.