Leap into the Panderverse: The End of Quantum Leap

QL season 2

Promotional graphic for “Quantum Leap” season 2

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I really thought One Night in Koreatown was going to be the Let Them Play episode for season two of the current version of Quantum Leap starring Raymond Lee and Ernie Hudson.

I thought this because of how the showrunner and writers seriously spun the story, emphasizing only some aspects while ignoring the more important facts.

That episode, if you’ve read my blog or have seen the show, depicted the beginning of the 1992 Rodney King riots. I remember them well, because I lived only thirty miles or so from L.A. at the time.

Four white cops had been videoed brutally beating a black suspect named Rodney King. The officers were charged, arrested, and went to trial. All four were found not guilty. Outraged, the black community rioted and looted, but get this. The primary damage almost all in L.A.’s Koreatown.

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Science Fiction Featuring Commentary vs. Commentary Disguised as Science Fiction

ancillary

Cover art for the novel “Ancillary Justice”

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Oh good grief.

I signed up to receive email notifications from Tor.com because they occasionally offer free downloads of books that I (or someone) think I should read. I opened up one such email this morning and discovered this article: Power, Responsibility, and Revenge: Ancillary Justice Ten Years On.

Whenever the word “Justice” is used in a title or text of a work, and given Tor’s obvious political bent, I start to make assumptions. In this case I wasn’t wrong. Here’s a couple of quotes from the article by Adrienne Martini:

With her first book, (Ann) Leckie recombined the DNA of a space opera into a surprising work that captured all of the gee-whiz of empires in space while at the same time interrogating what such empires were good for.

And…

In that early scene, Leckie efficiently sets up one of the key features of this world: the Radchaai language doesn’t gender people. Breq defaults to she/her pronouns for everyone unless she is speaking the language of the colonized. We only know Seivarden is a “he” because a bartender on Nilt refers to him that way. Frequently, Leckie shows Breq struggling with finding the right pronouns for the languages that require them.

And…

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