Tag Archives: representation

Science Fiction Featuring Commentary vs. Commentary Disguised as Science Fiction

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Cover art for the novel “Ancillary Justice”

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Oh good grief.

I signed up to receive email notifications from Tor.com because they occasionally offer free downloads of books that I (or someone) think I should read. I opened up one such email this morning and discovered this article: Power, Responsibility, and Revenge: Ancillary Justice Ten Years On.

Whenever the word “Justice” is used in a title or text of a work, and given Tor’s obvious political bent, I start to make assumptions. In this case I wasn’t wrong. Here’s a couple of quotes from the article by Adrienne Martini:

With her first book, (Ann) Leckie recombined the DNA of a space opera into a surprising work that captured all of the gee-whiz of empires in space while at the same time interrogating what such empires were good for.

And…

In that early scene, Leckie efficiently sets up one of the key features of this world: the Radchaai language doesn’t gender people. Breq defaults to she/her pronouns for everyone unless she is speaking the language of the colonized. We only know Seivarden is a “he” because a bartender on Nilt refers to him that way. Frequently, Leckie shows Breq struggling with finding the right pronouns for the languages that require them.

And…

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Review of Black Panther: Wakanda Forever (2022)

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Poster art for the film “Black Panther: Wakanda Forever”

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Black Panther: Wakanda Forever (2022) obviously would have been a completely different film if Chadwick Boseman hadn’t died. However, it also would have been a very different film if the role of the Black Panther/T’Challa had been recast.

As it was, the movie started with T’Challa’s funeral. Later in the film T’Challa’s and Shuri’s (Letitia Wright) mother Ramonda (Angela Bassett) tragically dies. Shuri has to bear the burden of both their deaths and indeed, the overarching theme of the film is loss, remorse, vengeance, and recovery.

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Scene from the film “Black Panther: Wakanda Forever”

Add to this the story of how Namor (Tenoch Huerta) lost his mother. In fact there’s a scene toward the end of the film of how both Namor and Shuri each “buried” their mothers. Riri (Dominique Throne) recalls her father’s death as well.

We can only imagine the ultimate resolution for Namor and Rini but we see Shuri’s acted out as she has to decide who it is she will be as the Queen of the Wakanda and the Black Panther.

Overall, the film was satisfying. I can’t say it was on par with the Black Panther (2018) but (and this is going to sound bad) it was much better than I expected.

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Season One Wrap Up Review of Quantum Leap

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Promotional image for the television show “Quantum Leap.”

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I won’t lie. What kept me coming back to Quantum Leap each week for the first season was “the mystery.” Who is Janice (or Janis) Calavicci? Why did Ben leap? Eventually that mystery included Who is Leaper X? Why did Ian of the future leap back? What danger is Ben supposed to save Addison from?

But let’s go back to the beginning. I’ll take a selective tour of my previous reviews. It wouldn’t be a very good season review if I didn’t start with my review of the pilot.

Oh, I should say it’s impossible to watch and review this series without delving deeply into the social meaning of the stories involved. Science fiction and time travel are only transport mechanisms for discussing social justice, representation, and inclusivity issues from the perspective of the 2020s.

As the show opens, we are introduced to co-workers and friends including Ben, Addison, the engaged couple, as well as Magic, Jenn, and Ian. Addison is revealed to be the potential first leaper, but the project is years away from human trials.

We see a mysterious woman at the project going over information at a computer terminal and saying, “That can’t be right.” To this day, I’m not sure I know what Janice was talking about, especially if Ben’s leap were already planned and programmed into Ziggy.

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Review of Quantum Leap Ep 15 “Ben Song for the Defense”

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QUANTUM LEAP — “Ben Song for the Defense” Episode 115 — Pictured: (l-r) Isaac Arellanes as Leo Diaz, Raymond Lee as Dr. Ben Song — (Photo by: Ron Batzdorff/NBC)

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Last night, episode 15 of Quantum Leap called Ben Song for the Defense aired. The synopsis goes:

Ben Leaps into a harried public defender trying to prove one client innocent when everyone else believes he’s guilty, as well as juggle dozens of other case as well as a romantic relationship inadvertently threatened by a corrupt ADA. Jenn is called in as Observer because of her knowledge of the legal system.

Oh, “ADA” just means Assistant District Attorney.

Although the leap centers on a single client of Ben’s (public defender Elena Ramirez), we see Ben trying to juggle several cases feeling as overwhelmed as the real Elena probably did. In the original timeline, 18-year-old Camilo Diaz (Michael Garza) is on trial for the murder of a gang member who was trying to recruit Camilo’s younger brother Leo (Isaac Arellanes). Camilo threatened the gang member and later was seen fleeing the crime scene. No other suspects present.

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The Future of Quantum Leap and Other Stories

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Promotional image for the television show “Quantum Leap.”

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If you’ve been reading this blog regularly, you know I’ve been watching and reviewing the 2022 continuation series Quantum Leap starring Raymond Lee, Caitlin Bassett, and Ernie Hudson. As far as I can tell, the series was originally green lit for eight episodes but was recently given an extension for a full 18. We know the description for the already shown episodes of course, but episodes 9-18 remain undefined at IMDb.

This is probably good since the show has introduced a collection of mysteries such as why Ben (Raymond Lee) leapt in the first place, what his relationship is to the mysterious Janice (or Janis) Calavicci (Georgina Reilly), and the secret around the leaper from the future Richard Martinez (Walter Perez). All that and, in the episode O Ye of Little Faith, Janice shows up as a hologram to warn Ben about something, but he leaps before she can tell him what…or who to be worried about. Eight episodes is just barely enough to get all that started.

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Review of Star Trek: Strange New Worlds, Ep7, “The Serene Squall”

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Scene from Star Trek Strange New Worlds “The Serene Squall”

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I just finished watching “Star Trek Strange New Worlds” E7 The Serene Squall which I think was more unintentionally humorous than anything else. It also rivaled E5 Spock Amok as the lamest show to date.

We start off at a Vulcan penal colony where T’Pring is entering a personal log. Log entries are a great way to give the audience insight into what a character is thinking, but they’re also a very Star Fleet thing. Since T’Pring works for Vulcan law enforcement “rehabilitation,” why would they have a parallel process.

Anyway…

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Film Review of “Eternals”(2021)

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It was six minutes into watching Eternals (2021) when I first realized I was bored and at 47 minutes I did what I didn’t expect myself to do. I turned the movie off and returned the disc to its case.

I checked the movie out from my local public library, so it didn’t cost me a dime, but at a run time of two hours and thirty-six minutes, it would drain away that much of my life to watch. It didn’t “do it” for me.

Unlike the other Marvel movies I’ve watched, I had no connection to the original comic books. I’ve never read any of them. So there was no nostalgia to drive me forward. The movie lived or died on its own for me. Well, it died.

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