Book Review of “Ancillary Justice” (2013) by Ann Leckie

justice

Cover of Ann Leckie’s novel “Ancillary Justice”

If you like my work, buy me a virtual cup of coffee at Ko-Fi.

I first heard about An Leckie’s flagship novel Ancillary Justice by reading an article at Tor called Power, Responsibility, and Revenge: Ancillary Justice Ten Years On by Adrienne Martini. The book is now ten years old, but I’ve never been known as being on the bleeding edge of whatever’s new and fresh in science fiction.

This part of the article got my attention:

In that early scene, Leckie efficiently sets up one of the key features of this world: the Radchaai language doesn’t gender people. Breq defaults to she/her pronouns for everyone unless she is speaking the language of the colonized. We only know Seivarden is a “he” because a bartender on Nilt refers to him that way. Frequently, Leckie shows Breq struggling with finding the right pronouns for the languages that require them.

Oh, good grief. If there are two words associated with this novel that are bound to set my teeth on edge, it’s “justice” and “gender,” both of which have taken on rather magnified meanings in the 2020s, at least in social media.

Martini gushes glowing praise upon Leckie’s book. In fact, her debut novel has the distinction of having won a Hugo Award, Nebula Award, BSFA Award, Arthur C. Clarke Award, and Locus Award for Best First Novel. That’s some novel.

Continue reading

Science Fiction Featuring Commentary vs. Commentary Disguised as Science Fiction

ancillary

Cover art for the novel “Ancillary Justice”

If you like my work, buy me a virtual cup of coffee at Ko-Fi.

Oh good grief.

I signed up to receive email notifications from Tor.com because they occasionally offer free downloads of books that I (or someone) think I should read. I opened up one such email this morning and discovered this article: Power, Responsibility, and Revenge: Ancillary Justice Ten Years On.

Whenever the word “Justice” is used in a title or text of a work, and given Tor’s obvious political bent, I start to make assumptions. In this case I wasn’t wrong. Here’s a couple of quotes from the article by Adrienne Martini:

With her first book, (Ann) Leckie recombined the DNA of a space opera into a surprising work that captured all of the gee-whiz of empires in space while at the same time interrogating what such empires were good for.

And…

In that early scene, Leckie efficiently sets up one of the key features of this world: the Radchaai language doesn’t gender people. Breq defaults to she/her pronouns for everyone unless she is speaking the language of the colonized. We only know Seivarden is a “he” because a bartender on Nilt refers to him that way. Frequently, Leckie shows Breq struggling with finding the right pronouns for the languages that require them.

And…

Continue reading