Book Review of “Cobra” (1986) by Timothy Zahn

cobra

Original cover art for “Cobra” by Timothy Zahn

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When I first read Timothy Zahn’s Cobra back in the 1980s and I liked it. Decades later, I still had that feeling but only vague memory of the book’s contents.

So I downloaded it onto my Kindle Fire and finally got around to reading it.

The novel holds up well. It’s really the “hero’s journey” of Jonny Moreau, a young boy from a backward frontier planet, who volunteers to undergo surgical procedures and specialized training to become an augmented soldier, a cyborg known as Cobra.

His idealism is stripped away when he and his fellow Cobras are sent to another world in their Dominion to fight the alien enemy known as Trofts. He sees destruction, death, and loss. He also first experiences distrust from his own allies. Cobras are highly dangerous. They were created that way. But because there was always the possibility they could turn on those they were helping, no one wanted to get too close.

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On Reading Heinlein’s “Starship Troopers” and Baen Books

starship

Cover art for Robert A. Heinlein’s novel “Starship Troopers”

I suppose I should leave this alone, especially after taking quite a bit of criticism, mainly from conservative authors, when I suggested that the left side of the science fiction industry was using the “Baen’s Bar” incident, which I chronicled HERE and HERE, to paint all conservative authors and just plain all conservatives with the same unjust and extremist brush.

However, I also acknowledged that at least some of the things said (or allegedly said, since the accuracy and validity of Jason Sanford’s report has come under dispute) on the forum could foment violence, and this is where I triggered quite a number of people. At this point, the matter has become too muddied for me to make sense of, so I’m going to stop commenting on something I’m not nearly as emotionally invested in as both Baen’s supporters and critics.

Though if indeed, some undisclosed competitor of Baen’s is using up their bag of dirty tricks in an attempt to deplatform a publisher that is just as friendly to conservative science fiction writers as it is to more liberal and socialist authors, it’s a pretty low deed.

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