There was only one way for Adriene McKnight to follow Douglas Adams’s advice and that was to step out of the timestream. She’d never done it completely, of course, because then she’d lose all recognizable references and never get back, but she could exit the local stream far enough to let her see several others connected to her own.
Opa’s study. He had everything packed up to leave for England. It’s 1934 and the Nazis have made Hamburg an administrative Gau. He wasn’t her Opa then, only a young physician of 23, unmarried, and unwilling to become a pawn of the fascists.
The bust of Oma. She was so beautiful. Opa commissioned it as a wedding gift, only one of twelve female busts made by the famous Erik Van Aar. The sculptor died a year later making the bust worth a fortune. Opa wouldn’t sell it, even when he needed money to go to America in 1940.