Tag Archives: movie review

Review of the Movie: “Demolition Man” (1993)

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Poster for the 1993 film “Demolition Man”

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Last night I finally got around to watching the 1993 film Demolition Man starring Sylvester Stallone as Detective John Spartan (some of these made up names are lame) and Wesley Snipes as Simon Phoenix. This is an action/adventure science fiction film with some unique insights on the future, but I’ll get to that.

The story opens in 1996 Los Angeles. Spartan is in a helicopter with two other cops (the pilot Zachary Lamb is played by Grand L. Bush, who played “Little Johnson” in the 1988 classic Die Hard).

Spartan is closing in on his nemesis, the notorious criminal Simon Phoenix, who is holding hostages taken from a commercial aircraft. This L.A. is even more brutal and lawless than the actual Los Angeles in the 1990s, already establishing a break between the film and the reality of the audience.

In typical “Rambo” style, Spartan breaks into the bad guy headquarters and caps off all of the baddies before confronting Phoenix. A heat scan didn’t show any signs of the hostages and Spartan and Phoenix fight over where they are. But Phoenix has rigged enough gasoline and C4 to blow the building into orbit.

Spartan drags Phoenix outside just in time before the whole building goes up (there’s a reason Spartan is called “The Demolition Man”). Turns out the hostages were in the building all along. Phoenix said that Spartan knew that and didn’t care. I guess L.A. coroners in this movie are dumb because they should have figured out Phoenix killed the hostages (no heat signatures) well before Spartan’s arrival.

Both Phoenix and Spartan are convicted of their crimes. Spartan is sentenced to 70 years cyrofreeze. While he’s under, his brain will be reorganized to give him more productive behaviors upon thawing. So both of these men undergo a deep freeze.

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Review of “Meg 2: the Trench” (2023)

Promotional poster for the film “Meg 2: The Trench” (2023)

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Yes, last night I was so bored I watched Meg 2: The Trench (2023) starring Jason Statham, Jing Wu and Shuya Sophia Cai.

I watched and reviewed the original back in 2018 (and I previously read the book upon which it was based). It was “okay,” no great film, but a way to kill a couple of hours if you’ve got nothing better to do.

That’s pretty much the same summary for “2.” Keep in mind that in any logical, scientific, or historical sense, the events in these movies don’t work. They are present for their shock and delight value (who doesn’t wish that the biggest, toughest shark in all of history would show up, just once?).

Statham, who not only starred in this movie but produced it, admitted that as long as the franchise makes money, they’ll keep making “Meg” movies. That’s about it. No other message involved. It’s refreshing.

This time it’s not one or even two Megs we’re dealing with, and it’s not just Megs.

The movie opens up around eight years after the original. Meiying is now 14 years old and with her mother and Grandfather having died in the first film, she’s being raised by Jonas Taylor (Statham) and her uncle Jiuming Zhang (Jing Wu).

The Meg baby introduced in the first movie is now a full grown female and still in captivity in a reserve in Hainan. Jiuming has named her Haiqi and believes she is trainable. Jonas thinks he’s nuts.

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Review of “John Wick Chapter 3: Parabellum” (2019)

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Poster for the 2019 film “John Wick Chapter 3: Parabellum”

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As I mentioned in yesterday’s review of John Wick: Chapter 2, today I’m reviewing John Wick Chapter 3: Parabellum (2019).

It picks right up where Chapter 2 left off with John and his no name dog on the run. At first, as the one hour grace period granted him by Winston (Ian McShane) is being counted down by the announcer at “the office,” John seems to be running aimlessly. Of course it’s raining again, because rain makes everything seem more tragic and desperate.

All of the assassins in New York (I swear, half the city is made up of assassins) are eyeing him, waiting for the hour to expire. He finally gets an idea and hops into a cab, telling the driver to go to the New York Public Library (I’m assuming the main branch based on the interiors). However traffic is a nightmare (it is Manhattan). He gives the driver his last special gold coin (so the driver is part of the criminal underworld, too?) and tells him to take the dog to the Continental, making sure the dog gets to Charon personally (he does this, so “dog” is handled).

Next, John runs into the library and requests a specific book on Russian fairy tales. Finding it, he unseals a hollowed out opening to find an ornate rosary, several more coins, a marker, and a photo of him and his wife (Bridget Moynahan). There, even though his time isn’t up, he’s attacked by a very large man named Ernest (Boban Marjanovic) who says no one will know he was early.

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Review of “John Wick: Chapter 2” (2017)

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Poster for the 2017 film “John Wick: Chapter 2”

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It’s been about two years since I watched and reviewed the first “John Wick” (2014) film. I hadn’t realized it had been that long until I looked it up.

Yesterday, I was at the public library and saw Blu-rays for John Wick Chapter 2 and John Wick Chapter 3. Naturally, I checked them out and watched Chapter 2 last night.

I decided not to read my review of the first film, letting this one stand on its own. The action begins pretty much where the original left off.

Having secured another dog in the first movie, John (Keanu Reeves) is out to retrieve his beloved 1969 Ford Mustang. The dog and the car are special reminders of his deceased wife Helen (Bridget Moynahan). The Russian mobster Abram Tarasov (Peter Stormare) sits at his desk as he hears John invading his lair. His plan to pack up his operation and get away wasn’t in time.

John does manage to wreak havoc on Tarasov’s operation, but in the process, the Mustang is trashed, barely drivable. Managing to get back home, he retrieves his dog (which doesn’t have a name throughout the film) and the mechanic Aurelio (John Leguizamo) is doubtful of his ability to repair the severely damaged car any time soon.

Wick settles down to life with his dog, still mourning Helen. However he has a visitor.

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Film Review of “They Live” (1988)

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Scene from the 1988 film “They Live”

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I’ve been seeing memes based on this film for years, but last night I finally got around to watching John Carpenter’s They Live (1988) starring Roddy Piper, Keith David, and Meg Foster.

This is supposed to be one of those “cult classics” and I can see why. That said, it hardly qualifies as one of Carpenter’s best movies. The plot had holes big enough to drive a truck through, the acting for the most part was pretty flat (especially from Foster, which surprised me), and at best, it was a middle-of-the-road movie.

Actually, Keith David as Frank turned in a good performance as did Peter Jason as Gilbert, and George “Buck” Flower (more on him in a minute) as the Drifter.

The basic story is about a homeless construction worker named Nada played by Piper (the character is never named in the movie) who wanders into L.A. Along the way he encounters a blind Street Preacher (Raymond St. Jacques) who rants less about God and Hell and more about how “they” are taking away our freedom and turning us into slaves.

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DVD Review of “Ant-Man and the Wasp: Quantumania” (2023)

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DVD cover for the movie Ant-Man and the Wasp: Quantumania

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A few days ago, I checked out a DVD of the film Ant-Man and the Wasp: Quantumania (2023) at the public library (so it didn’t cost me a cent) and got around to watching it yesterday.

First of all, I miss the “Wombats” (Michael Peña as “Luis,” David Dastmalchian as “Kurt,” and Tip T.I. Harris as “Dave”). I understand there wasn’t a place in them given the story, and they weren’t as well utilized in Ant-Man and the Wasp (2018) as they were in the original Ant-Man (2015), but they’re great comedy relief.

Secondly, I miss Abby Ryder Fortson as Cassie. I know the MCU blipped ahead five years so the actress (now age 15) would be too young, but she was a lot of fun. I also know that an older daughter for Scott Lang (Paul Rudd) means she can join him on his adventures, but at 26, Kathryn Newton, who replaced Emma Fuhrmann in the role after Avengers: Endgame (2019) might be a little bit too “old” (Fuhrmann is only 21 which is just about right).

Most of the movie seemed to be pretty much in the dark, which made it hard for me to tell what was going on half the time. For instance, in the opening sequence with Janet (Michelle Pfeiffer) and the Traveler/Kang (Jonathan Majors), I couldn’t see their faces and had no idea what was going on until later in the film.

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Review of “Top Gun: Maverick” (2022)

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© James Pyles

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So I finally got a chance to watch Top Gun: Maverick (2022) on Blu-Ray last night. Excellent film. It’s not the sort of movie I would normally review for a science fiction / fantasy blog, but it’s just so much fun.

I haven’t seen the original Top Gun (1986) since it was in VHS in the late 1980s (yeah, I know) and I remember almost nothing about it. I was worried that would cause me to have problems understanding the current film, but that wasn’t an issue.

After all, the movie had to appeal to young audiences who had probably never seen the original. There were enough cues to point back to the first film and make plain how those events were attached to what’s happening in the “present.”

Pete “Maverick” Mitchell (Tom Cruise) is apparently living in a dilapidated aircraft hanger endlessly repairing a vintage P-51 Mustang. He’s also test piloting an experimental aircraft as a contractor for the Navy, a plane that’s supposed to be capable of flying Mach 10 (roughly 7672 mph/12348 kph).

He’s only supposed to test the craft at Mach 9 on that day but the project is about to be scrubbed by Admiral Cain (Ed Harris) who wants to divert funding to an unmanned experimental aircraft.

Maverick, out to save the project, launches and achieves Mach 10 over the Admiral’s orders, but then exceeds that speed and destroys the aircraft. Apparently, he’s able to bail out without dying (this movie frequently violates the laws of physics), and before Cain can ground Maverick, new orders come in for Mav to return to the Top Gun naval aviation school we saw in the first movie.

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Movie Review of “M3GAN” (2022)

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© James Pyles

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Last night (as I write this), I watched the 2022 horror film M3GAN.I normally don’t watch horror films. I’m not overly fond of being terrified and calling it “entertainment.” However, I do have an interest in AI and humanoid robots. So a few days ago, when I saw the Blu-Ray at my local public library, I decided to give it a whirl.

The disc gave me the choice of watching the theatrical version (PG-13) or the unrated version (anything goes). Naturally, I selected the latter.

The story begins with a little girl (Violet McGraw as Cady) in a car with her parents going on a ski trip. The girl is playing with an advanced robotic furry doll run from her tablet and invented by her aunt. Snow in the ground, icy roads, fog, and a snowplow out of nowhere, and the parents die in a car crash.

Meanwhile her aunt Gemma (Allison Williams) who is supposed to be developing a better, cheaper furry AI doll with her team Tess (Jen Van Epps) and Cole (Brian Jordan Alvarez) are actually working on a prototype “child” android named M3GAN (Model 3 Generative Android).

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Review of Black Panther: Wakanda Forever (2022)

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Poster art for the film “Black Panther: Wakanda Forever”

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Black Panther: Wakanda Forever (2022) obviously would have been a completely different film if Chadwick Boseman hadn’t died. However, it also would have been a very different film if the role of the Black Panther/T’Challa had been recast.

As it was, the movie started with T’Challa’s funeral. Later in the film T’Challa’s and Shuri’s (Letitia Wright) mother Ramonda (Angela Bassett) tragically dies. Shuri has to bear the burden of both their deaths and indeed, the overarching theme of the film is loss, remorse, vengeance, and recovery.

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Scene from the film “Black Panther: Wakanda Forever”

Add to this the story of how Namor (Tenoch Huerta) lost his mother. In fact there’s a scene toward the end of the film of how both Namor and Shuri each “buried” their mothers. Riri (Dominique Throne) recalls her father’s death as well.

We can only imagine the ultimate resolution for Namor and Rini but we see Shuri’s acted out as she has to decide who it is she will be as the Queen of the Wakanda and the Black Panther.

Overall, the film was satisfying. I can’t say it was on par with the Black Panther (2018) but (and this is going to sound bad) it was much better than I expected.

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Review of Doctor Strange In The Multiverse of Madness (2022)

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Last night I watched Doctor Strange in the Multiverse of Madness (2022).

I got the Blu-Ray from my local public library so it didn’t cost me a cent. I was concerned because the film has mixed reviews and I didn’t necessarily want to waste my time on a turkey (like just about every Marvel TV show on Disney+ to which I thankfully do not subscribe).

It was…okay. Actually not bad at all, although somewhat flawed.

Spoiler Alert: If you haven’t seen the movie and you hate spoilers, stop reading now.

Doctor Stephen Strange (Benedict Cumberbatch) has a strange (no pun intended) multi-dimensional dream (part and parcel for Dr. Strange in the 1960s and 70 comic books) where he is trying to reach some sort of goal with a young girl (America Chavez played by Xochitl Gomez). Some dark force is trying to take her powers and he becomes too injured to help her. Chavez comes nearer to the goal but is then stopped by the creature. Strange believes the only way to stop the creature from stealing her powers is to steal them himself. Then he wakes up. It was a dream.

Or was it?

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