“Far Futures Book Three – Deep Space” is Available Now!

far futures 3

Cover art for the Blue Planet Pres anthology “Far Futures 3”

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It’s here.

My science fiction short story “Confluence” is now available in the Blue Planet Press anthology Far Futures Book Three – Deep Space.

The Amazon blurb says:

In Far Futures Three, some of the talented and rising authors in science fiction from the United States, Canada, United Kingdom, and Australia, have offered their diverse visions of life in deep space. Stories of broken generations ships and malfunctioning holograms. AI enhanced humans fleeing the solar system. Alien abductees taken light-years away. A NASA spacecraft highjacked in a perilous first contact scenario. Pirates and scavengers and more.

Here’s a small sample:

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Noah’s Rainbow Is Illegal

Peter's Rainbow

PHOTO PROMPT © Mr. Binks

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“I thought it was a cross up there for a moment.” Simon had to take a deep breath at the surprise and then sighed with disappointment.

“You shouldn’t say that out loud, you know,” his wife Evelyn chided. “If anyone nearby hears, they’ll report us to the constables.”

“It’s my fault for suggesting we take a different route for our evening walk. Oh, look. Noah’s rainbow.”

“Are you insane?” Evelyn’s voice came out as a hiss. “You know the government designated the rainbow for exclusive use, and not by Christians anymore. It’s illegal.”

“An old man can dream, can’t he?”

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Book Review of Harlan Ellison’s “Dangerous Visions” (1967)

Dangerous Visions

© James Pyles

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I must have originally read Harlan Ellison’s landmark SF/F anthology Dangerous Visions (1967) sometime in the mid-1970s, but I remembered nothing about it when I picked up the book again. I only decided to re-read “Visions” because it was mentioned by a publisher as part of their open submissions call.

When a publisher throws their gates open and allows any and all (with certain caveats) authors (would be or established) to submit a story to them (usually in an anthology), they sometimes offer hints or ideas as to what kind of stories they are (and are not) looking for.

One such strategy is to suggest the author read some of the stories they’ve already published. Another is to ask the writer to read other novels and anthologies they favor.

Recently, I read an open submission call that suggested, among other books, Ellison’s original “Dangerous Visions.” I can’t say whether I submitted to that publisher or not. I step away from a certain percentage of them for a number of reasons. This can include them being just too darn picky (too many hoops to jump through), they are only open to a certain population (usually those they believe are marginalized), or they’ve rejected everything I’ve ever thrown at them in the past and I’m resigned to that publisher never liking my writing.

So I checked out a copy of “Dangerous Visions” from the public library to see what I could see.

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The Days When You Could Read Everything

Image captured from Amazon

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Periodically, I get emails from Reactor Magazine. I must have signed up for them once upon a time. I usually scan the article titles and then delete the email unless something especially captures my attention. After all, so much of science fiction and fantasy targets an audience other than me.

But today, I saw the article When Did SFF Get Too Big?. The subtitle is, “Is it possible to pinpoint the moment when readers stopped being able to keep up with their favorite genres?”

I didn’t know this had ever been an expectation. That is, I hadn’t realized that lovers of science fiction and fantasy were supposed to read each and every title produced in the genre in a given year. Especially if you’re talking about reading all these books just as they’re published (brand new), that’s a lot of money to shell out (maybe some will end up in the “New Titles” section of the public library, but still…). How do you know you’re going to like each and every book? What if you know that some authors generally produce dreck but keep getting published anyway?

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Coming With The Clouds

both sides now

PHOTO PROMPT © Rochelle Wisoff-Fields

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“For the coming of the Son of Man will be just like the days of Noah. In those days before the flood they were eating and drinking, marrying and giving in marriage, until the day Noah entered the ark.”

“Another day, another commute,” Cole thought as he cruised down that mind-numbing stretch of Interstate again. Except the passage from Matthew 24 kept coming up.

“They did not understand until the flood came and took them all away.”

Iran had released another deadly barrage of missiles at Israel. The world called Jews the aggressors. May He come with the clouds soon.

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The Punch and Judy Holiday

punch

PHOTO PROMPT © Sandra Crook

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“Swanage Punch and Judy Show.” Donovan read the words as if they were in an unfamiliar language.

“Punch and Judy. That doesn’t narrow it down much.” The sign could be early 21st century or late 20th. He had a headache and wasn’t sure how long he had been standing on the beach.

“Wait. There’s a URL on the sign. Definitely 21st century then. Oh, God, I hope it’s not during that COVID mess.”

He checked his wallet. Donovan had a proper ID and credit cards. “Driver’s license expires in 2028. Maybe I’ll spend a few years living here after all.”

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Book Review of Isaac Asimov’s “Gold” (1995)

gold

© James Pyles

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I discovered the existence is the Isaac Asimov collection Gold (named for one of the fictional stories therein) from an online source I have since forgotten. It is advertised as Asimov’s Final collection and I had never heard of it before (the usual Science Fiction fandom gatekeepers can take note and castigate me accordingly).

The book was published in 1995, three years after Asimov’s death. It is divided into three portions: Final SF Stories, Essays on Science Fiction topics, and on the matter of Writing Science Fiction.

I imagined that I’d be most interested in the stories themselves and was disappointed to find I was wrong. The stories weren’t particularly strong examples of his work, at least as I remember his work. I can’t recall the last time I read anything by Asimov, especially something I hadn’t first read in my adolescence of early adulthood, but it was certainly years if not decades ago.

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“The Haunted Detective’s Cat” is now available in the anthology “Moggie Noir: Alley Cat Alibi”

moggie noir cover

Cover art for the anthology “Moggie Noir: Alley Cat Alibi”

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It’s finally here. My short story “The Haunted Detective’s Cat” is now featured in the Raconteur Press anthology Moggie Noir: Alley Cat Alibi.

As I mentioned in my previous announcement, a moggie or moggy is:

…an informal British term for a cat, especially one that does not have a pedigree or is otherwise unremarkable.

For this story, I chose to revive my 1940s San Francisco private detective Marguerite “Margie” Potter who you met four years ago (if you were lucky) in my short story “The Haunted Detective.” You can find that tale in the pages of the Celestial Echo Press anthology The Trench Coat Chronicles (still available for your Kindle device at a very reasonable price).

However, as far as Alley Cat Alibi is concerned, here’s the Amazon description:

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Green Glass

green glass

PHOTO PROMPT © Lisa Fox

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“You’re sure it’s not dangerous.” Linda stood slightly behind her husband Jerry as he looked down at the greenish-glowing pitcher and four glasses.

“They’re a collector’s item, Lin. I got them for a great price. They’re pre-World War Two.” The middle-aged accountant beamed with pride at his own self-perceived cleverness.

“You’re not actually going to use them, are you?” Linda took a step back.

“Most uranium glass only has about two percent of the mineral by weight.”

“You said it registers on a Geiger counter. Why a good price?”

“Oh, because of the death curse, but that’s just old superstition.”

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Why It’s Okay To Not Watch “Agatha All Along”

agatha

Promotional poster for the mini-series “Agatha All Along”

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I have no intention of watching the new Marvel/Disney+ mini-series Agatha All Along. There are a lot of reasons for this.

The first is that I haven’t seen ANY of the Disney+ Marvel shows, not even the very popular Loki series. I’ve mentioned before somewhere that I don’t particularly enjoy most television produced in the 2020s and don’t see myself subscribing to one or more streaming services just to watch a few shows I might (or might not) like.

Of course, I’m aware of these programs because you can’t be on social media for ten seconds without tripping all over them, or at least the latest ones. This is especially true of the responses to said-shows, both for and against. There really does seem to be some sort of war going on between those who like these series and those who don’t.

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