Tag Archives: martha wells

Book Review of “Network Effect,” The Fifth Novel in the Murderbot Diaries

network

Cover art for Martha Wells’ novel “Network Effect”

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I finished Network Effect: A Murderbot Novel yesterday morning. It’s the fifth entry in the Murderbot Diaries series by Martha Wells. It’s also the first novel-length book in the series, with one through four being novellas or novelettes  (my reviews on the rest of the series can be found here).

It won the 2021 Nebula award and a bunch of other accolades and in this case, they were well deserved (In my experience, that’s not always the case). We continue to see Murderbot evolve becoming, in their/her own way, more “human” though I’m sure she would deny that.

Oh, even though technically Murderbot has no gender, I always hear her voice in my head as female, so I’m going to go with that. Probably has something to do with my knowing the author is also female.

Given the novel-length of the story, we’re able to go back and forth in Murderbot’s experiences. We start out seeing her as a fully autonomous SecUnit providing security for an archeological team, which definitely needs it. The story begins with a bang because we are then thrown into more back story on Murderbot and the supporting characters. This includes her close relationship (I hesitate to say “friendship,” although I think it is) with Dr. Mensah and interestingly enough with her teenage daughter Amena (relationships are confusing because this is some sort of “group marriage” where Mensah is Amena’s “second mother”).

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Book Review of Martha Wells’ “Exit Strategy” (2018), Book 4 in the Murderbot Series

exit

Cover art for Martha Wells’ book “Exit Strategy”

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I’m still enjoying Martha Wells’ Murderbot Diaries having just finished the fourth installment, Exit Strategy. I’ve already read and reviewed the first three, novellas rather than novels, really.

Side Note: I’ve mentioned this before in one of the previous reviews, but even though the security unit/murderbot has no gender, even though partially organic, I can’t help but hear her voice as a “her.” Maybe it’s because I’m aware that the author is a woman, or maybe it’s because Wells projected a “female” personality into her voice during the writing, but that’s how I think of “her.” I know some people are going to object to this (for gender identity reasons), but for this and other reviews, the SecUnit is a “she” to me. That’s what I’m going to call her.

Picking up right where the previous installment left off, Murderbot has decided to give her evidence against the CrayCris corporation directly to Dr. Mensah. However when she checks on Mensah’s whereabouts, she’s not in her home system of Preservation and figures out she has been kidnapped by GreyCris which is looking for the evidence Murderbot acquired at Milu.

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Review of “Rogue Protocol,” Part 3 in “The Murderbot Diaries”

rogue

Cover art for the novella Rogue Protocol by Martha Wells

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I’m continuing to thoroughly enjoy Martha Wells’ Murderbot Diaries series having just finished Rogue Protocol, the third novella in the collection (and still incredibly overpriced, even for such quality). I’ve already reviewed All Systems Red and Artificial Condition.

Side Note: I’ve mentioned this before in one of the previous reviews, but even though the security unit/murderbot has no gender, even though partially organic, I can’t help but hear her voice as a “her.” Maybe it’s because I’m aware that the author is a woman, or maybe it’s because Wells projected a “female” personality into her voice during the writing, but that’s how I think of “her.” I know some people are going to object to this (for gender identity reasons), but for this and other reviews, the SecUnit is a “she” to me. That’s what I’m going to call her.

In this “episode,” our SecUnit who sometimes goes by the name of “Consultant Rin” when posing as an augmented human security consultant, continues to pursue clues as to her past and the lost portions of her memories. To that end, she stows away on another robotic spacecraft, convincing its AI that she belongs there, and travels to a station orbiting the planet Milu. There, she plans to travel to an abandoned orbiting terraforming station that is not what it appears to be.

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Review of “Artificial Condition,” Part 2 in “The Murderbot Diaries”

artificial

Cover art for “Artificial Condition,” part 2 in the Murderbot Diaries

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I was just as delighted in reading Martha Wells’ Artificial Condition, the second part of her “Murderbot Diaries” series, as I was with part one, All Systems Red.

“Artificial” picks up where the previous story leaves off with the “murderbot” on the run, so to speak, after being released by her human clients. Murderbots are considered property, so any independent “unit” is considered a “rogue.”

Murderbots are essentially cyborgs, but controlled by an internal governor, so they have no choice but to obey orders. That said, they do have their own thoughts, will, and preferences (usually not preferring a lot of human contact), but they can’t say “no.”

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Why Don’t Men (Supposedly) Read Books by Women? Hint: It’s Not Because of Sexism

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This all started with an article in The Guardian titled Why do so few men read books by women? by M.A. Sieghart (the “M.A.” standing for Mary Ann). Her article (which she wrote to promote her recently published book) is quite short and her answer is simple. Men are sexist.

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Promotional image of Mary Ann Sieghart

Author Gwenda Bond commented on twitter about this, but it wasn’t until I read the rebuttal on deus ex magical girl by D.G.D. Davidson (a guy) that I found out about it.

I don’t know if Ms. Bond’s interest in the topic was the same as Sieghart’s, but Davidson wrote a killer response.

The article just a little long, but it’s worth it. I don’t want to reveal too much, but it has to do with another issue of mine; how the entertainment industry keeps missing the boat as far as actually entertaining.

For instance, in Davidson’s article:

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Book Review of “All Systems Red”

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Cover art for “All Systems Red” by Martha Wells

First the “official reviews” including praise for the author’s other works:

“I love Murderbot!” ―Ann Leckie, author of Ancillary Justice

“The Murderbot series is a heart-pounding thriller that never lets up, but it’s also one of the most humane portraits of a nonhuman I’ve ever read. Come for the gunfights on other planets, but stay for the finely drawn portrait of a deadly robot whose smartass goodness will give you hope for the future of humanity.” ―Annalee Newitz, author of Autonomous

“Clever, inventive, brutal when it needs to be, and compassionate without ever being sentimental.” ―Kate Elliott, author of the Spirit Walker trilogy

“Endearing, funny, action-packed, and murderous.” ―Kameron Hurley, author of The Stars are Legion

“Not only a fun, fast-paced space-thriller, but also a sharp, sometimes moving character study that will resonate with introverts even if they’re not lethal AI machines.” ―Malka Older, author of Infomocracy

“We are all a little bit Murderbot.”―NPR

“Wells gives depth to a rousing but basically familiar action plot by turning it into the vehicle by which SecUnit engages with its own rigorously denied humanity.” ―Publishers Weekly starred review

“I already can’t wait for the next one.” ―The Verge

“Meet your favorite depressed A.I. since Marvin.” ―B&N Sci-Fi and Fantasy Blog

“A great kick-off for a continuing series.” ―Locus

“Wells imbued Murderbot with extraordinary humanity, and while this is a fun read, don’t make the mistake of thinking it’s not a profound one.”―LA Times

“The Cloud Roads has wildly original world-building, diverse and engaging characters, and a thrilling adventure plot. It’s that rarest of fantasies: fresh and surprising, with a story that doesn’t go where ten thousand others have gone before. I can’t wait for my next chance to visit the Three Worlds!” ―N. K. Jemisin, author of The Hundred Thousand Kingdoms

And as far as author Martha Wells’ awards:

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