Film Review: “Serenity” (2005)

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Poster for the 2005 film “Serenity”

I’d heard of the television show Firefly for some time, so when I got the chance to rent the entire series from my local public library a number of years ago, I jumped at the chance. Needless to say, it was magnificent, a sort of science fiction meets western theme, with sinister, bloated government conspiracy thrown in. Joss Whedon not only created a (rather short-lived) legend, but unwittingly presented the world with an anthem for the libertarian party (which is very much what Whedon isn’t).

Firefly, we hardly knew ye.

Yesterday, again at the public library, I happened to chance upon the “epilogue” of the too soon canceled classic, Serenity (2005), and no, not the 2019 film currently in theaters by the same name which I have no intention of seeing.

[Yes, I know this violates the credo of the pundits at the much vaunted File 770, at least as applied to award-winning science fiction writer Robert Silverberg, that you shouldn’t sample SF/F that’s older than ten years, but so be it.]

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Film review of “Jurassic World: Fallen Kingdom” (2018)

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Promotional poster for the 2018 film “Jurassic World: Fallen Kingdom.”

I’ve seen the original Jurassic World (2015) once, as well as all of the other “Jurassic” movies on various occasions, and when I saw the DVD for Jurassic World: Fallen Kingdom (2018) at my local public library, I couldn’t resist. I enjoyed Chris Pratt’s and Bryce Dallas Howard’s work in the first film, and was hoping they could “do magic” again. They didn’t disappoint.

In some ways, this movie pulled from the very first Jurassic Park (1993), particularly with Jeff Goldblum reprising his role as Ian Malcolm, and mentioning how Hammond (Richard Attenborough) started the whole project (twenty-five years ago, my how time flies), although the eccentric genius in this movie is a wheelchair bound Benjamin Lockwood (James Cromwell).

At the end of the previous film, people had to leave the island of Isla Nublar because all of the dinosaurs had escaped and were killing everyone. Now, amid a secret plot to use the surviving dinosaurs and their DNA for nefarious purposes, Claire Dearing (Howard) must convince Owen Grady (Pratt) to join a small team of experts in their attempt to evacuate the island of the animals, since its long dormant volcano has decided to inconveniently come back to life.

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Film Review: “The Predator” (2018)

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Promotional poster for the 2018 film “The Predator”

I have a confession to make. I’m a fan of the original 1987 film Predator starring Arnold Schwarzenegger, Carl Weathers, Bill Duke, and a ton of other fun tough guys. No, it’s not even close to the best movie ever made, or even the best Schwarzenegger film, but like I said, it’s a lot of fun, relative to 1980s action, blood and guts movies. I’ve seen it dozens of times.

I’ve seen all of the other Predator sequels including the various “Aliens vs. Predators” movies exactly once. They aren’t as much fun, but still a way to kill a couple of hours.

So when I saw the 2018 The Predator at my local public library, I figured “why not?”

Like the original, it starts out in a jungle environment (that is, after the whole “chase through space” sequence), but that’s not where the main action takes place. Also, this movie is really a sequel to all of the others (not sure why they didn’t mention Aliens) and naturally, after a spaceship crash, a secret U.S. government project called “Stargazer” captures the pilot and calls in evolutionary biologist Casey Bracket (Olivia Munn) as a consultant. Of course, all hell breaks loose and the Predator escapes.

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Film Review: “The Mummy” (2017)

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Promotional image for the 2017 film “The Mummy.”

I hadn’t meant to watch the 2017 film, The Mummy starring Tom Cruise and Annabelle Wallis, but I recently read a brief blurb that the “flagship” of Universal Studio’s Dark Universe line of films, which were meant to reprise and update the original Universal Classic Monsters series of movies, wasn’t all that bad.

Okay, I’ve also recently written a short story I plan to submit for possible publication about an ancient, evil woman in Egypt, so the topic was on my mind.

In short, it really wasn’t that bad. It wasn’t that great, either. I’ve seen the original 1932 film The Mummy starring the incomparable Boris Karloff on numerous occasions, and the 1999 remake with Brendan Fraser and Rachel Weisz (and I do like Weisz as an actress) and was somewhat “underwealmed.”

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Film Review of “Spider-Man: Into the Spider Verse” (2018)

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Promotional image for the 2018 film “Spider-Man: Into the Spider Verse”

About an hour ago as I write this, my son, grandson, and I were walking out of the theater after watching Spider-Man: Into the Spider-Verse (2018). This animated film chronicles the coming of age and origin of the Miles Morales Spider-Man (voiced in the film by Shameik Moore), who, in the movie, looks about 13 or 14 years old.

I know I just put up a link, but I haven’t read the page yet, so don’t know much about the Morales “Spidey.” I didn’t want to find out more about him before I watched the movie, and for years, I have only been tangentially aware of him. I have to admit, when I first heard of that version of Spider-Man, I figured it was Marvel taking a highly popular franchise and just inserting a person of color in order to attract progressive readers as well as pull in long-term, hardcore Spidey fans.

This movie changed all of those misconceptions.

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DVD Film Review: Black Panther

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Promotional poster for the 2018 film “Black Panther”

Okay, so last night, I watched Black Panther (2018) and loved it. Actually, for me, picking up the main themes wasn’t difficult at all, and yes it is more than just another superhero story. It’s both the epic tale of a new King who is struggling to determine the direction of his nation, and a spiritual journey for personal truth, especially between father and son.

I’m not being frivolous or unkind when I say that the latter reminded me of the 1994 Disney film The Lion King. After all, Simba (voiced by Matthew Broderick) has to come to terms with his guilt over his father Mufasa’s (voiced by James Earl Jones) death and his worthiness to become a King. He is also challenged by his rival Scar (voiced by Jeremy Irons) and must risk death fighting for the right to ascend the throne.

Oh, by the way, spoiler alert. I’ll be dropping plenty of them, so if you haven’t seen the movie yet, stop reading here.

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Movie Review of “Thor: Ragnarok”

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Promotional image for “Thor: Ragnarok” (2017)

I watched Thor: Ragnarok (2017) last week and loved it. It wasn’t the perfect film, but of the three “Thor” movies, it was clearly the best.

Things I Liked

I really liked the dynamic, both between Thor (Chris Hemsworth) and the Hulk (Mark Ruffalo), and between Thor and Banner (although, in a way, it’s the same thing). I’m glad that Thor not only was able to hold his own against the Hulk, but actually beat him, that is until the Grandmaster (Jeff Goldblum) cheated by triggering Thor’s pain-inducing device.

They ended up being “odd couple” buddies, which brings up another point.

The two previous Thor films and just about any solo movie version of the Hulk have all been pretty blah. These are characters who have successfully carried their own comic book titles for decades. Why don’t they translate well to film?

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Pre-Review Jitters

overt and covert racism

Found on social media

I’ll have to keep this relatively short since I promised my wife I’d help her in the yard this afternoon.

I tend to “catch up” on movies after they’ve left the theater by renting the DVDs from the public library. Even if the film is a stinker, I’m not out a dime, though I’ll never get those two hours back.

Last night, I watched the 2017 film Thor: Ragnarok and completely enjoyed it. I’ll write a more comprehensive review later. Relative to this blog, I’ve also watched and should review Wonder Woman (another winner), Spider-Man: Homecoming (ditto), and Lucy (uh…).

Tonight’s feature is Avengers: Infinity War.

I’ve put a library hold on the Black Panther, and thereby hangs a tale, or at least trepidation.

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Star Wars: The Last Jedi – A DVD Review

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Promotional poster for “Star Wars: The Last Jedi

I finally got around to seeing Star Wars: The Last Jedi on DVD. I checked it out from my local public library because, if I ended up hating the film, I could say that I didn’t waste a penny on it, or give up my hard-earned bucks to Disney.

I have to admit that I didn’t have the best attitude as I slipped the disc into my PC’s DVD player, because J.J. Abrams went on record as saying anyone who didn’t like “Last Jedi” were threatened by women, as if there could be no other possible reason for not liking the film. Both director Rian Johnson and producer Kathleen Kennedy have gotten some heat as well, but in the latter’s case, it was mostly over the Han Solo movie, which I am surprised to find is still playing at some local theaters.

Since “Jedi” has been out for roughly seven months now, I’ll assume almost everybody (besides me) has seen it long ago and I’ll load my review with spoilers.

First off, the obviously stupid/disappointing stuff.

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Ant-Man and the Wasp: A Film Review

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Ant-Man and the Wasp (2018) movie poster

Yesterday, my nine-year-old grandson and I saw the film Ant-Man and the Wasp starring Paul Rudd, Evangeline Lily, Michael Peña, Michael Douglas, and the amazingly cute Abby Ryder Fortson.

I’ll try to keep spoilers to a minimum but I can’t promise to conceal everything.

I read another review of the film (and sadly, I must confess I can’t remember where) which said the movie was the story of three fathers, Scott Lang (Rudd), Hank Pym (Douglas) and Bill Foster (Laurence Fishburne), each trying to save their own daughters, although Foster isn’t biologically Ava’s (Hannah John-Kaman) Dad.

After seeing the movie, I’d say that’s a fair analysis, and as a Dad and Grandpa, I enjoyed this aspect of the film, especially since all three men are depicted as heroes, which is somewhat rare in today’s entertainment industry.

Of course, all three are flawed in some way, and they wouldn’t be interesting if they weren’t. Scott, for all of his good intentions, manages to screw up almost everything he tries for a good part of the film, but manages to redeem himself in the end.

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