Interviewed by Superversive SF Livestream about “The Last Oasis of Mars”

livestreamIf you like my work, buy me a virtual cup of coffee at Ko-Fi.

I mentioned before how I was going to be interviewed by Superversive SF about my short story The Last Oasis of Mars published at High Tower Magazine.

That happened a little while ago and here is the YouTube video:

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Read “The Last Oasis of Mars” at “High Tower Magazine” NOW!

pirates

Promotional art for “The Last Oasis of Mars.”

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It’s here!

More specifically, my short story The Last Oasis of Mars: From the Tales of the Razzle Dazzle is at High Tower Magazine.

Join (a fictionalized version of) writer Jack London and the Captain and crew of the pirate ship “Razzle Dazzle” or “Dazzler” as she attempts her greatest adventure, raiding the last British outpost on the dying planet Mars.

What is the secret of the “Fire” mines beneath the oasis?

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Reminder: My short story “The Last Oasis of Mars” Appears in “High Tower Magazine” on Friday!

The Dazzler

© James Pyles

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Just a reminder, my steampunk, pulp fiction short story “The Last Oasis of Mars” will be featured in the premiere issue of High Tower Magazine on Friday, June 14th. If you click the link before then, there’s not much to see. Click Subscribe to subscribe to the new periodical. Clicking No, thanks takes you to more information. So far only the About page has any real content. After all, it’s just getting off the ground.

Speaking of which, here’s a short sample of my wee missive:

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“The Last Oasis of Mars” to be Published in High Tower Magazine

pirates

Promotional art for “The Last Oasis of Mars.”

If you like my work, buy me a virtual cup of coffee at Ko-Fi.

My steampunk science fantasy short story “The Last Oasis of Mars” has been accepted for publication in the brand new periodical High Tower Magazine.

So far, the publication is entirely digital, so I don’t have any promo art from them. That’s why I posted some of my AI art (the story is 100% me) above for the visual.

“Oasis” is a callback to the “Barsoom” tales of Edgar Rice Burroughs as well as the pulp fiction of the early part of the 20th century. A lot of this was my introduction to science fiction and fantasy when I was a teen, so it’s near and dear to my heart.

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“Doc Savage, Man of Bronze:” The Origin of the Superhero Group

doc

Cover art for Doc Savage magazine

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Doc Savage and his oddly assorted team might be considered the progenitors of today’s “Fantastic Four” and many other teams of superheroes — even Sgt. Fury and his Howling Commandos.” -Stan Lee, creator of Marvel Comics’ “Spider-Man” and “The X-Men”

There are probably two reasons to read pulp fiction that’s 70, 80, 90, and even 100 years old. The first is that you’re a true fan of the genre. The second is, if not for these ancient heroes, we wouldn’t have the modern ones that, at least up until recently, were box office blockbusters at the movies.

In the mid-1960s as I was about to enter Junior High, I didn’t realize these stories existed and more, I didn’t know that various publishers had finally convinced the owners of these older properties to allow them to appear as paperbacks. It was the perfect time for me. I was the age and sex of the target audience, and the average price for a paperback was around 40 to 60 cents a copy. Heck, back then, even a comic book cost 12 cents.

So Edgar Rice Burroughs’ entire Tarzan and John Carter of Mars book series abruptly appeared in mall bookstores all across the country. So did E.E. “Doc” Smith’s Lensman and Skylark series along with what Robert E. Howard and every other author under the sun wrote about Conan the Barbarian.

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Return of the Space Princess

dejah

Promotional image for the “Dejah Thoris” comic book series by Amy Chu (Author) – Based on a character from the Edgar Rice Burroughs “Barsoom” series.

space princess

Screenshot from the comments section of the Mallard Fillmore comic strip.

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Just so you don’t miss the important quote in the above conversation:

The Superversive Literary Movement is in opposition to wokism, saying that any politics in a work of storytelling should serve the story, rather than the woke commandment to ensure that the story serves woke politics. The Space Princess Movement is a subset thereof.

That exchange occurred in the comments section of the conservative comic strip Mallard Fillmore written and penned these days by Loren Fishman but occasionally featuring the work of its creator Bruce Tinsley.

You can find the comic strip at ComicsKingdom.com though I warn you that the topics are indeed supportive of a conservative viewpoint and the comments are from pro-conservatives with pushback delivered by counterprotesting trolls “under-the-bridge-dwellers.”

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Vultan’s Aerie

burj khalifa

© Google – May 2013

The two friends, veterans of many battles, stood at the foot of the glass tower upon a strangely deserted street.

“We defeated Baron Dak-Tula and the Skorpi menace Flash, but at the cost of Mongo’s biosphere. Fortunately, Earth’s biosphere survived, though sadly, your race of humans were wiped out by a Skorpi induced plague. To our benefit, Zarkov created a space going ark to bring representatives of our races to your world in safety, though barely in time.”

“Thanks to you Prince Vultan, and your race of Hawkmen, we were victorious. It’s only fitting that, on behalf of Earth, I extend every courtesy to your Hawkmen and the rest of the brave races that survived Mongo. What is your wish?”

“Actually, this Burj Khalifa tower here in Dubai would make us a fine Aerie, Flash Gordon.”

I wrote this tale for the What Pegman Saw challenge. Thanks to Google maps, this week’s destination is the Burj Khalifa tower in Dubai. The idea is to use the photo prompt above to write a piece of flash fiction no more than 150 words long. My word count is 136.

Originally, I was going to write about a group of robotic AI window washers forming a union to fight for better working conditions at their jobs cleaning Burj Khalifa, but then my wife sent me to the store and while driving, I started getting another idea.

Yes, I read the Flash Gordon comic strip every Sunday. They’re repeats and as far as I know, no new comic strips are being created for this franchise.

I had to look up the history of Flash Gordon at Wikipedia, which is where I learned that in his later history, Flash became an interstellar hero fighting the shape shifting Skorpi race. I created a situation where Mongo’s biosphere is ruined forcing a remnant of its many peoples to flee aboard a space ark built by Dr. Zarkov. They arrive on Earth, and while our world’s biosphere is intact, the Skorpi wiped out the human population with a plague. The disease has since run its course, so our planet is now the new world of the Mongoese refugees. Flash Gordon, Dale Arden, and Dr. Hans Zarkov are the only human beings left alive.

To read more stories based on the prompt, go to InLinkz.com.