Screenshot of the cover of the graphic novel “Superman Smashes the Klan” found at Polygon.com
I know I’ve been booted out as a follower of Mike Glyer’s fanzine File 770, but he can’t block my internet access, so occasionally I pop over to see what’s up. Most of the time it’s “not much,” but I did happen upon Pixel Scroll 10/23/19 The Little Green Man Was Very Sad, One Pixel Was All He Had.
Cover art for a World War 2 era “Superman” comic book
Item 11 is titled SUPE’S AN IMMIGRANT, TOO. It links to an article where a 1946 version of Superman fights Nazis, the Ku Klux Klan, and befriends a Chinese immigrant family. I was all prepared for yet another reinvention of Superman who behaves like a 2019 progressive over 70 years in the past. That is to say, out of character and historically anachronistic.
And yet the Polygon article The Superman story that set the Ku Klux Klan back years is now a comic was a pleasant surprise.
A few days ago, I wrote Truth, Justice, and the American Way to illustrate how classic superheroes such as Superman and Captain America represented, not necessarily the United States as it is or historically has been, but as we want to be as a country and a people, a united people.
Promotional image for the 2018 film “Aquaman.”
I happened upon the DVD of Aquaman (2018) at my local library and couldn’t pass it up. The film has gotten rave reviews, and given the DCU‘s relatively poor track record compared to Marvel, I decided they were due for a win.
First of all, I love Jason Momoa as Arthur/Aquaman. Even as a kid, the blond, orange shirted Aquaman of the comic books seemed pretty silly to me, especially when compared to Marvel’s Prince Namor, the Sub-Mariner, so Momoa’s interpretation of Aquaman is an incredible improvement and a joy to watch. I also loved Temuera Morrison as Arthur’s Dad Tom and Nicole Kidman as his Mom Atlanna. An additional treat was the appearance of Willem Dafoe as Vulko.
All that said, I thought the movie was “okay”. Oh sure, plenty of action, thrills and chills, but it didn’t really stand out. There are already plenty of films about reluctant, exiled kings and their rise to power against evil. Frankly, Marvel’s Black Panther (2018) did it better, although it’s tough to compare the two characters.
Promotional image for the movie “Captain Marvel” (2019).
I didn’t want to do this. I still don’t have to, but then again, there’s more hype about this movie than even last year’s Black Panther. When I was anticipating watching and reviewing that film, I was “irrationally” afraid that if I didn’t like something about it, I’d be forever labeled a “racist.” Fortunately I thought it was one of the better Marvel films, and that although it told a story of significant meaning to African-Americans, it also transcended race as the epic tale of a Prince confronting the realities of becoming a King.
However, Captain Marvel (2019) which will have its general release to theaters this coming Friday (March 8th), seems to be getting a lot more press than Black Panther, at least to the best of my recollection.
First of all, according to The Mary Sue (which leans pretty far to the left), the movie is getting tons of bad reviews pre-release, but it’s only being reviewed by misogynistic white males who hate the idea not only of powerful women, but of Captain Marvel (played by Brie Larson) being the most powerful hero in the Marvel Universe, even more so than Thor or the Hulk (okay, I’m exaggerating slightly).
Warning: Some Adult Content
Okay, so DC has published its first issue of Batman Damned under its DC Black Label imprint, and boy is it adult. You actually get to see Bruce Wayne nude, not just from the back but the front. I’m posting an image below as proof, plus I archived two news sources just in case they get “poofed” for their content later on. Actually, that didn’t work, because the archived version doesn’t display the “adult” images.
Here’s a milder version at my archived version of the Popbuzz story, and the non-archived Screenrant missive.
Now here’s the image I captured.
I’ve written about the modern state of mainstream comic books before (DC, Marvel) including how at least some of them aren’t safe for children, and the whole comicsgate vs. social justice comic books drama. Some of this still pops up in my twitter stream, though I don’t respond because, why bother? Still, I do consider the state of the industry as it relates to some of the movies I watch (I caught Deadpool 2 on DVD the other day). And that takes me back to the comic books I used to read, many years…okay, decades ago.
I’ve read some things about the upcoming Captain Marvel movie, which seems interesting, and maps to the original Ms. Marvel comic book of the 1970s, based on a non-superpowered Carol Danvers who appeared in 1968 in this comic book:
Here, Captain Marvel was an alien spy, obeying the commands of his Kree overlords in a spaceship orbiting the Earth, but eventually, he used his space suit’s powers to help human beings, bringing his loyalty into question. Not long afterward, he got a make over and turned into this:
Promotional image for the 2014 film “Captain America: Winter Solder.”
After all the you’re a racist if you don’t believe Colin Kaepernick gave up everything to be Nike’s “Just Do It” 30th anniversary spokesperson garbage a few days ago, I decided I needed to unwind and experience something to restore my spirit. So I again chose to dust off the DVD and watch the 2014 film Captain America: Winter Soldier.
Why, you ask?
I can’t find the quote online, but I recall that actor Chris Evans, who plays “Cap” in the Marvel movies, said something like “Captain America does good for the sake of doing good. He’s everything I’ve ever wanted to be as a man.”
That’s probably not exact, but I’m betting it’s pretty close.
In the film, he says stuff like:
I know I’m asking a lot. But the price of freedom is high. It always has been. And it’s a price I’m willing to pay. And if I’m the only one, then so be it. But I’m willing to bet I’m not.
Yeah, we compromised. Sometimes in ways that made us not sleep so well. But we did it so the people could be free. This isn’t freedom, this is fear.
He didn’t act ashamed of America and, after all, the guy’s uniform is basically the American flag (I’d like to see someone try to stomp on or burn it while Rogers was wearing it). Steve Rogers is a living reminder why it’s okay to still believe that our nation is made up of people who do good and want to be even better.
A public service announcement published in a DC comic book in the early 1960s
I’ve heard of this thing called Comicsgate, and after doing a bit of reading, discovered it’s pretty much the same sort of critter that launched the efforts of the Sad Puppies a few years back.
Allegation: The mainstream comic book industry (DC, Marvel) is overrun by Social Justice Warriors (SJWs) forcing their very narrow agenda down the throats of all comic book readers, no matter how totally unrealistic it is, so we independent comic book creators will fight back by creating more classic heroes of our own.
You can find out more about this perspective by following Jon Del Arroz’s twitter feed, particularly THIS and THAT.
Counter-allegation: Conservative, white, racist trolls want to destroy all participation of strong women heroes, people of color, LGBTQ+ writers, artists, and characters, and all other marginalized and vulnerable populations in comic books so comics are totally owned by white people, and we have to stop them.
You can read about Bill Sienkiewicz rebuttal at “The Mary Sue” (a fairly biased publication) as well as on his twitter feed HERE.
The cover of The Fantastic Four issue 3 from 1961
“I’ve kept a limited number of comic books from my youth, ranging from the 1960s to the 1980s, and occasionally take a few out and read them. I’m not really into comic books anymore, especially the current titles, and for a lot of reasons.
Originally, I started collecting them in the late 1960s when I was in Junior High, and I’d been reading them since I was old enough to read because they were so much fun. In the ’60s and ’70s, I was mainly into Marvel comics (Fantastic Four, Spider-Man, the X-Men and so on), but I rediscovered DC in the late 80s when they did the first reboot of their titles.
More recently, I used my local public library system and checked out Vertigo DC graphic novels such as V for Vendetta and The Watchmen as well as the Sandman (the Wesley Dodd costumed hero, not the other guy) because they were more edgy and I was an adult. In the case of the first two titles, I wanted to understand the basis for the films they became, and in the Sandman’s case, I just enjoy the character and the 1930s vibe.
I’ve kept in touch with how comic books have been morphing in more recent years, and generally give them a wide berth. The superheroes I once admired and who taught me about courage, innovation, and adventure, had become unrecognizable as well as unoriginal. Numerous reboots later, all of the old villains and storylines had been rehashed ad nauseam, just like what we see in both the film and television industries, and I don’t intend to pay for the privilege of being bored.
The dance lessons were not working. He’d let Jeremy and Terri talk him into taking jazz dance and it worked out exactly like the yoga lessons, the tennis lessons, and the single, miserable trip to the ice skating rink. Conrad remembered sitting on the ice, nursing his bruises, when a little girl no more than five effortlessly zipped up to him and said, “It’s okay. I fell a lot when I was first learning, too.”
He never went back, and he would never go back into that dance studio again.
“Face it, Conrad. If it’s athletic or physical, you suck at it.”
“Hey, give it a chance.” Jeremy was trying to be encouraging. He had met Jer and his girlfriend Terri in English Lit and the three became fast friends, but they were so much different from Conrad.
“Sorry. I’m going home. See you tomorrow.” Before they could object, he opened the door of his VW Bug, slid in the driver’s seat, and started the engine.
It was a beige ’72 Beetle, and he was so much like it. Simple, easy to maintain, and non-descript.
Cover art for the comic book science fiction series “The Aliens.”
NEW YORK - Anne Cenzeno, Associated Press - 22 March 2176 - In the aftermath of the return of Earth's first interstellar ship the "Aquila" commanded by Colonel Allen Parker, the delegation of four alien beings whose ship they encountered in space are being taken on a guided tour of Manhattan in the company of the Aquila's command crew.
While some have welcomed our first visitors from the stars, other groups have organized protests which have erupted along the publicized route of the tour through Times Square...
“There seems to be elevated levels of anxiety, fear, and anger from many of your citizens, Colonel Parker.”
“Yes, unfortunately, my species isn’t very enlightened when it comes to differences and change, Zarz. We have a hard enough time dealing with variances within our own people groups.”
“I wonder if they are all your people, Colonel.”
“What do you mean?”
“My comrades and I detect that although, to your senses, everyone nearby appears to be of your species, some indeed are not.”