Promotional image for the “Dejah Thoris” comic book series by Amy Chu (Author) – Based on a character from the Edgar Rice Burroughs “Barsoom” series.
Screenshot from the comments section of the Mallard Fillmore comic strip.
If you like my work, buy me a virtual cup of coffee at Ko-Fi
Just so you don’t miss the important quote in the above conversation:
The Superversive Literary Movement is in opposition to wokism, saying that any politics in a work of storytelling should serve the story, rather than the woke commandment to ensure that the story serves woke politics. The Space Princess Movement is a subset thereof.
That exchange occurred in the comments section of the conservative comic strip Mallard Fillmore written and penned these days by Loren Fishman but occasionally featuring the work of its creator Bruce Tinsley.
You can find the comic strip at ComicsKingdom.com though I warn you that the topics are indeed supportive of a conservative viewpoint and the comments are from pro-conservatives with pushback delivered by counterprotesting trolls “under-the-bridge-dwellers.”
To be fair, Amazon has the right to accept or refuse reviews posted on their site because, after all, it is their site. If I did unintentionally violate their standards, I guess that’s that.
On the other hand, if you don’t like a book that’s supposed to be popular (and I did like the book for the most part), or say anything critical of it when you shouldn’t, does Amazon tip the scales in favor of “popular” works or “popular” authors?
Cover art for John Scalzi’s 2017 novel “The Collapsing Empire”
I recently downloaded a free copy of John Scalzi’s novel The Collapsing Empire from TOR.com. It was part of a promotion of the third novel in this series The Last Emperox being published later this month (as I write this).
Scalzi comes with a rather stellar reputation and background, having won two Hugos and been nominated for other awards, but the proof of an author is in the writing, not the rep (as least as far as I’m concerned), so I thought I’d give him a whirl.
But first, the kudos I gleaned from Amazon:
“John Scalzi is the most entertaining, accessible writer working in SF today.” —Joe Hill, author of The Fireman
“Fans of Game of Thrones and Dune will enjoy this bawdy, brutal, and brilliant political adventure” —Booklist on The Collapsing Empire
Cover art for the novel Autonomous by Annalee Newitz
With the public libraries closed and my book budget slashed to zero, I was worried I’d be hard strapped for reading material. Then I remembered that some weeks ago, I downloaded a free copy of Annalee Newitz’s science fiction novel Autonomous from Tor.com. So I revisited my kindle device and started consuming the book.
I’m about 60% through, and I can pretty much guarantee that Ms. Newitz is not going to like my review on Amazon. That said, I don’t actually regret reading her book (since it was free), but it again brings to mind how some forms of entertainment are well thought of (in certain prominent circles) and yet cannot seem to tell a good story.
Yesterday, I discovered John Scalzi’s Redshirts novel was also available as a free Tor download, so the MOBI file is now resting comfortably on my kindle. It won both the 2013 Hugo and Lotus awards for best science fiction novel, but given my current experience with “Autonomous,” as well as how I found N.K. Jemisin’s award winning book The Fifth Season, awards don’t always mean what you want them to mean.
I’ve tried to steer this blog away from the more controversial and/or political topics I’ve covered in the past, but then I read Richard Paloinelli’s missive Wikipedia or WikiPravda?. Richard and I share some similar viewpoints, but I lack many of the wounds and scars he’s received in the past, such as those attributed to Mike Glyer at the File 770 science fiction fanzine. I think I was contended with there exactly once. It actually impressed me, since relative to Glyer’s readership, I’m pretty much a nobody.
In the recent past, I’ve heard that Wikipedia, Patreon, and YouTube have been accused of attempting to shut out politically and socially conservative creative voices through censorship and defunding. Since I’m merely a consumer of Wikipedia and YouTube and wouldn’t know what to do with Patreon, I’ve had no personal experience, but on the other hand, I have no trouble believing they are all biased left, either.