© James Pyles
If you like my work, buy me a virtual cup of coffee at Ko-Fi.
This afternoon, I was at my local branch of the public library and I found the first season of Lovecraft Country on DVD. As some of you may know, I was critical of the timing of the premiere of this series during certain (ahem) events.
However, when I mentioned this in social media, I was told the series was being developed well before all of that happened, so I stand corrected. I also can’t miss the fact that since writer H.P. Lovecraft has been identified as a white supremacist, the title for the series has a double meaning.
Promotional image for the HBO series “Lovecraft Country”
Every once in a while, I visit Mike Glyer’s File 770 SciFi fanzine. I used to follow them and get email updates of new posts, but either due to an accidental technical glitch or me being deliberately booted off for being an “undesirable,” those notices stopped.
Anyway, I was scrolling through Pixel Scroll 8/15/20 To Clickfinity And Beyond! and came across a link to HBO’s ‘Lovecraft Country’ Brings Viewers To A World Of Monsters, Magic and Racism.
I didn’t learn about famed horror writer H.P. Lovecraft’s racism until this last round of Hugos when he was denounced along with a lot of other dead white men.
According to the Los Angeles Times, Lovecraft’s monsters and his racism have both been twisted into a show set in the 1950s which features both:
From the teaser/trailer to “Ghostbusters 3”
Oh, good grief. I mean “Ghostbusters 3?”
Okay, I’m a huge fan of the original 1984 Ghostbusters starring Bill Murray, Dan Aykroyd, Sigourney Weaver, Harold Ramis, and directed by Ivan Reitman. Every Halloween, I close up all of the blinds on the front of my house, hide from trick or treaters, and watch this comedy classic. It’s a beautiful movie that never gets old.
I’ve watched the 1989 sequel exactly once, hated it, and have never viewed it since.
I read extensively about the gender-flipped 2016 Ghostbuster’s remake and decided to avoid it altogether. Yes, that probably leaves me vulnerable to being called “sexist” and “misogynistic” since a “woke” man would have not only watched the film but loved it for being pro-woman and progressive (however, as Paul Bois at The Daily Wire quipped, “Get woke, go broke”)…
…or maybe it was just a bad movie banking on using an established and beloved franchise to push an ideology in the most shallow and blatantly obvious way possible.