Science Fiction Featuring Commentary vs. Commentary Disguised as Science Fiction

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Cover art for the novel “Ancillary Justice”

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Oh good grief.

I signed up to receive email notifications from Tor.com because they occasionally offer free downloads of books that I (or someone) think I should read. I opened up one such email this morning and discovered this article: Power, Responsibility, and Revenge: Ancillary Justice Ten Years On.

Whenever the word “Justice” is used in a title or text of a work, and given Tor’s obvious political bent, I start to make assumptions. In this case I wasn’t wrong. Here’s a couple of quotes from the article by Adrienne Martini:

With her first book, (Ann) Leckie recombined the DNA of a space opera into a surprising work that captured all of the gee-whiz of empires in space while at the same time interrogating what such empires were good for.

And…

In that early scene, Leckie efficiently sets up one of the key features of this world: the Radchaai language doesn’t gender people. Breq defaults to she/her pronouns for everyone unless she is speaking the language of the colonized. We only know Seivarden is a “he” because a bartender on Nilt refers to him that way. Frequently, Leckie shows Breq struggling with finding the right pronouns for the languages that require them.

And…

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My Book “The Aliens” Has Been Accepted Into the Starry Eyed Press Series “Galactic Treks”

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Promotional image for the “Galactic Treks” series from Starry Eyed Press

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I’ve had a number of my works published by Starry Eyed Press before, but this one is different. A little while ago, they announced an open submission of a series called “Galactic Treks” The title is on purpose.

The general theme is “space opera,” but the word count can be anything from 5,000 up through novel length.

Wow. To be able to plot a story without worrying about exceeding a word count.

But that’s not all. Here are the specifics:

It should come as no surprise to hear that Gene Roddenberry’s Star Trek franchise is one of the most endearing and enduring pieces of quality space opera in the world.

There was even a time, many years ago, when anybody was allowed to write a Star Trek novel and submit it to Simon and Shuster for review!

Sadly, those days are long gone and Paramount would prefer to work only with authors and writing staffs of their choosing in developing Star Trek novels, comics, episodes and films.

So where does that leave the rest of us aspiring Trek writers? We’re glad you asked.

The Galactic Treks line is your time to shine. We’re seeking novels, shorts and series that center on space exploration, optimism, a protagonist or a crew as members of something bigger (a fleet perhaps), and an emphasis on thinking one’s way to final resolve over simply blowing everything up.

So write a “Star Trek-type” story without literally writing Star Trek.

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Book Review of “Redux II: The Search for Floyd”

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© James Pyles

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Last night (as I write this) I finished Gregg Cunningham’s SciFi time travel novel Redux II: The Search for Floyd published by Starry Eyed Press. It’s the sequel to the original novel Redux: The Lost Patrol which I reviewed on my blog last year.

The original novel is set in the future, primarily on the Moon. Redux and his battle robot Floyd are using a time travel device called a “War Pig” in an attempt to “fix” history. Redux wants to bring back all the people lost in war, to win every battle they lost, and to establish a future history with his lost love.

The original novel is a little hard to follow because, like many time travel books, it tends to bounce around all over the place. In the end, an old, burned out Redux is left stranded when his younger self steals the War Pig and his version of Floyd.

It’s not all bad. His lost love Dixie is alive, but she’s young and he’s an old man she doesn’t recognize.

Redux II picks up there with our hero (or anti-hero) one among a series of refugees destined for relocation on Mars. But then things get weird.

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Another Day, Another Zeta Beam

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PHOTO PROMPT © Brenda Cox

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The boat ride was boring. Just tourists from who knows where sipping overly sweet alcoholic drinks and mindlessly chattering. The only one halfway sober besides me was the guy running the engine and steering, and presumably the other guy in the little kayak thing leading the way.

The real reason I was here had nothing to do with my date or anyone else except me. In less than two minutes, the boat would be passing within two meters of the Zeta Beam impact point. I’ll be able to visit my lover on the planet Rann again for a little while.

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My Short Story “The Apprentice” Accepted into the 2023 Anthology “Summer of Speculation”

summer

Promotional art for the “Summer of Speculation” anthology series.

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I just found out that my cyberpunk short story “The Apprentice” has been accepted into the 2023 edition of the Cloaked Press anthology Summer of Speculation. The theme for this year’s anthology is “Sidekicks”. I already had my cyberpunk universe built for another story and decided to create the teacher Chandler and his reluctant apprentice Pin.

In a world run a conglomerate of criminal syndicates, corporations, and the government, protection and justice are only for the wealthy and the connected. Out of that system rose a group of vigilantes dedicated to protecting the most helpless inhabitants of the vast megalopolis.

I have the publisher’s permission to make this announcement, but there’s no cover art, pre-sales link, or anything else ready yet. But to whet your appetite, I’m offering a snippet of my overall story:

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Season One Wrap Up Review of Quantum Leap

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Promotional image for the television show “Quantum Leap.”

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I won’t lie. What kept me coming back to Quantum Leap each week for the first season was “the mystery.” Who is Janice (or Janis) Calavicci? Why did Ben leap? Eventually that mystery included Who is Leaper X? Why did Ian of the future leap back? What danger is Ben supposed to save Addison from?

But let’s go back to the beginning. I’ll take a selective tour of my previous reviews. It wouldn’t be a very good season review if I didn’t start with my review of the pilot.

Oh, I should say it’s impossible to watch and review this series without delving deeply into the social meaning of the stories involved. Science fiction and time travel are only transport mechanisms for discussing social justice, representation, and inclusivity issues from the perspective of the 2020s.

As the show opens, we are introduced to co-workers and friends including Ben, Addison, the engaged couple, as well as Magic, Jenn, and Ian. Addison is revealed to be the potential first leaper, but the project is years away from human trials.

We see a mysterious woman at the project going over information at a computer terminal and saying, “That can’t be right.” To this day, I’m not sure I know what Janice was talking about, especially if Ben’s leap were already planned and programmed into Ziggy.

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Review of Quantum Leap Ep 18 “Judgment Day,” the Season Finale

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Scene from the Quantum Leap episode “Judgment Day.”

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As I write this (Tuesday evening, April 4th), I just finished watching Quantum Leap S1 E18 Judgment Day and yes there were “Terminator” references.

I was impressed. The writers pulled out all the stops, and while the episode wasn’t perfect, it was very good, very dramatic, and totally action packed. It was also not what I expected.

As always, Spoiler Alert!

As we saw from last week, Ben first leaps into the future, 2051 to be exact, to the Quantum Leap project which has been destroyed. An aging Ian is alone, waiting for Ben and the snowfall is caused by nuclear winter, suggesting a worldwide nuclear war (so why isn’t the Los Angeles area completely destroyed as in the 1991 film Terminator 2: Judgment Day since it would be a primary target?).

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Scene from the 1991 film Terminator 2: Judgment Day

Ian said there are very few people left. They are the only survivor of the project, and they were barely able to find someone for Ben to leap into. Question, unless Ian knew exactly when Ben would arrive, how would they know when to have someone stand by? It didn’t sound like they could have known, but they instantly recognized Ben in whoever he leapt into.

In the present, Ian keeps picking up a kind of ghost signature of Ben and keeps losing it. Janice suddenly appears again (as if by magic since the plot once again requires her…otherwise she’s presumably kept in a maintenance closet powered down until needed). Ian says it’s like the accelerator is “confused” and Janice (or Janis) says it’s because it wasn’t designed to send anyone into the future. Also, there’s no visual because “the future.”

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Review of Quantum Leap Ep 17 “The Friendly Skies”

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A scene from the Quantum Leap episode “The Friendly Skies”

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Finally got the bandwith to watch Quantum Leap S1.E17 The Friendly Skies where once again Ben leaps into a woman with absolutely no reaction to being in a female body.

I happened to mention on twitter the other day that just in season one, Ben has leapt into more women than Sam (Scott Bakula) did during the entire five season run of the original series, and Sam was never a fan of leaping into women. It occurred to me that a man leaping into a woman is at least drag (because actor Raymond Lee has to dress…at least sometimes…in specifically female clothing. At most, it almost makes him trans…almost.

Anyway, I was politely shot down as far as the idea goes. Statistically, if Ben’s leaps are truly random, he should leap into women about half of the time. But we don’t think the leaps are random.

IMDb synopsis:

When Ben leaps aboard a 1970’s passenger jet as a flight attendant, he must outwit its hijackers before it mysteriously crashes into the Atlantic. Worse? He has to do it all without Ziggy’s help.

Ben leaps into a flight attendant named Lois on August 5, 1971. The aircraft has over the top service. The men are sexist pigs and the attendants are trained for “service with a smile.”

Here’s a trivia piece from IMDb about why the service was styled as it was in this episode.

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Review of Quantum Leap Ep 16 “Ben, Interrupted”

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QUANTUM LEAP — “Ben Interrupted” Episode 116 — Pictured: Raymond Lee as Dr. Ben Song — (Photo by: Ron Batzdorff/NBC)

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Every single time the Quantum Leap people say “this is the episode that’s the best” and so forth, why, oh why do I find that they aren’t quite right?

The Quantum Leap season 1, episode 16 show Ben, Interrupted aired on Monday, March 20th.

Of course, the title is no mystery, it recalls Girl, Interrupted (1999)

Based on writer Susanna Kaysen’s account of her 18-month stay at a mental hospital in the late 1960s.

It also recalls the original series episode Shock Theater. Ben leaps into private detective Liam O’Connell who deliberately has himself committed into a 1954 mental hospital to free a woman named Judith who was committed by her husband for “hysteria,” possibly because she kept miscarrying when they tried to have children (I’d love to have seen that cretin come to justice).

The obvious source I certainly hope everyone who wrote this episode read was Ken Kesey’s 1962 novel One Flew Over the Cuckoo’s Next. I probably read the book before any of them were ever born.

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Doorways Fluttering in the Breeze

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© Sarah Whiley

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They reminded him of his childhood when Mom used to hang the wet laundry on the backyard clothes line to dry. Except these were supposed to be art at a small, outdoor fair at a local park.

In his peculiar line of work, Demetrius Lauer traveled all over the world and visited communities from the largest megacities to the smallest rural hamlets. Today, it was Winchester Park in the small but growing commuter city of Kuna, Idaho. Fortunately, bringing his M1911 Colt semi-automatic wasn’t a problem in this part of the U.S. He was probably going to need it, but he had to find his prey first.

Dem was an unusual type of bounty hunter. Yes, he tracked down some of the most dangerous men and women on the planet, but many were just as dangerous on other planets, or in this case alternate realities.

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