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The “One-Way-Ticket” anthology submission call from Starry Eyed Press, among other requirements, asked for a short story in the science fiction genre that in some way described a one-way journey.
As humanity anticipates the possibility of colonizing the Moon, Mars, or even planets outside our solar system, in at least the last two examples, the people making those trips may well never see the Earth again. Of course, there are all sorts of ways to imagine such a story. Here’s an example of mine:
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The story is called “Fall of the Tower” and it has been accepted for publication. The formal announcement will come soon. In the meantime, here’s a preview:
Cover art for Robert A. Heinlein’s novel “Starship Troopers”
I decided to re-read Robert Heinlein’s 1959 classic Starship Troopers (I probably last read it sometime in the late 1960s or early 70s) because science fiction writer Neal Asher‘s book Prador Moon (which I recently reviewed) was unfavorably compared to it by a few Amazon readers.
I must say Heinlein doesn’t disappoint. “Troopers” remains timeless, or nearly so, but as I understand it (I wouldn’t have picked up on this as a teenager), even in the late 1950s (and so much more now), the book was considered to have numerous controversial elements.
Yes, the idea that only military veterans are allowed to be full citizens with voting rights does go against the grain. However, this novel was Heinlein’s breakout book from “Young Adults” novels. Thus, Heinlein injected (supposedly) his personal perspectives into the world he created. His reasoning relative to citizenship is only a soldier, who is willing to give up his (all ground troops are males and most Navy pilots are females) life for the many of society has the moral and ethical perspective to casts a vote in that society. It’s also why he advocates for a volunteer only Army rather than a draft or compulsory military service for everyone. A volunteer willingly enters that world and can quit at any time during training. If the volunteer makes it to soldier, goes into combat, and remains, then they’ve established themselves as that ethical/moral model.
Scene from the 2014 military SciFi movie “Edge of Tomorrow” starring Tom Cruise
Once again, I decided to read and review a short story from the Zombie Pirate Publishing anthology World War Four (2019). My story “Joey” is included in the anthology, and on this blog, I’ve previously reviewed three of the other short stories (for obvious reasons, I can’t review them on Amazon).
Today we visit “The Package” by Brian MacGowan. It’s a military SciFi thriller describing the conflict between the fictional Northern Free States (NFS) and the United Alliance (UA), sort of a civil war scenario as far as I can tell.
An elite team of commandos, led by Sgt. Rick Harrington invades a UA stronghold because they have intel stating that previously stolen UA encryption codes are hidden in the facility. The op is to get in, get the codes, and then evac.
The military action and heroism depicted is first-rate, but I may have missed something in the story line. The codes were initially taken by an NFS ambassador over a year ago as the story starts. Harrington’s Hellhounds quickly find two things. The first is that there’s no human resistance at all as they enter, and the second is one nearly impenetrable security door that doesn’t have any right to be there.
Cover art for Neal Asher’s 2015 novel “Dark Intelligence.”
Disclosure: My short story “Joey” will be published in the upcoming Zombie Pirate Publishing anthology World War Four which also features the novelette “Monitor Logan” by best-selling author Neal Asher. Watch for the anthology on Amazon starting March 1, 2019.
I must admit that prior to being informed of the above, I had never heard of Asher or his works, though scanning his published novels, I was certainly impressed. Since we’d be “sharing” the inside of an anthology, I felt I should get to know his writing a bit better, and so selected Dark Intelligence: Transformation Book One (2015) as my introductory novel.
There was a superficial resemblance to Alastair Reynolds’ 2008 collection of short stories (all set in the same universe) Galactic North, particularly in the area of “medical atrocities,” but other than that, they’ve both described unique universes.
The novel is an ensemble piece, however the main protagonist, and the only one who speaks in first person, is a man called Thorvald Spear, who was killed in a war a century before by the rogue AI Penny Royal, or so it seems. Spear is revived with a strong desire to revenge himself on the supremely powerful Penny Royal, but as he continues to pursue her, he becomes uncertain if some, or any of his memories are truly his rather than images implanted by the AI in order to manipulate him.
Cover image of Kent Wayne’s “Echo Volume 3: The Dialectic of Agony”
I’ve been following Kent Wayne’s (pen name) Echo series for a few years now. Kent is an indie author with a vision for life on and in orbit around a colony world called “Echo” set a thousand years in the future. Being a veteran, he renders military action with a keenly realistic voice, sometimes going over the top. After reviewing Echo Volume 1: Approaching Shatter over two years ago, and Echo Volume 2: The Taste of Ashes last October, I was anxious to get into the third installment, Echo Volume 3: The Dialectic of Agony.
“Agony” takes a very dramatic twist away from the first two novels. In “Shatter,” we are introduced to “Crusader” Kischan Atriya, an elite soldier who is becoming dissatisfied with his role as “Crew” but is unable to articulate why. He gets in deep with members of a despotic religious order who have ordered his death, and after a brief encounter with his mentor, the mysterious Verus, we follow him in a slow descent into what could be the end of his life, engineered by his own supposed allies during a mission into a “Scape.”
Volume 2 picks up right where the first tale leaves off, and the reader is thrust into an adrenaline-fueled power dive with wall-to-wall combat scenarios, the first half of the novel being non-stop action. Atriya manages to survive, thanks to his specialized enhancements, his own wits, and his unimpeachable sense of honor, but at a terrible cost to his body and mind. Having barely survived by the end of the story, he has few options left, all of them leading to tragedy and death.