© Sue Vincent
Everybody calls me the Devil, and right now I wish I really was, because the only way I’m gonna save little 10-year-old Gracie Budd’s life is to stop a real Devil. Hard to believe, it being so quiet, green, and peaceful out here, but I ain’t got much time if I’m going to stop Albert Fish from killing and eating poor Gracie.
How the hell did I get myself in this mess? No, I didn’t do it. Maybe God did it. I don’t know. All I know is that I’m a 16-year-old printer’s devil named Timothy Patrick Quinn, and on April 13, 1928, I started hearing radio messages from the future.
One reason they call me “devil” is because that’s my job. I’m a printer’s devil, an apprentice in the print shop under old Shamus MacPherson at the New York Post. Been doing that since I was 12, mainly mixing tubs of ink and sorting metal type in the hellbox, putting those fit to be used again back in the job case, and melting down the broken bits.
Our foreman, Grady Owens brought a brand new All American Mohawk Lyric S50 radio right into the shop, saying it would help us boys pass the time a bit easier. Had to turn the sound way up on account of all the noise from the printers, but we got to hear berries tunes like “Cow Cow Blues,” “A Gay Caballero,” and “Sonny Boy.”
I could even hear it on the dock while having a smoke with the loaders and the colored Joes who swept up the place. Even the old truckers respected me on account of my bouts at Clancy’s Boxing Gym. I’ve always been big for my age, and ever since I was a tyke, I liked mixing it up with the guys.
I get over to Clancy’s whenever I can. He says I’ve got potential, says I fight hard enough to knock out the Devil himself, which is another reason they call me that. Turns out, though, I’d have to earn that name in a different way, even if it damn near killed me.