Telling Someone Else’s Story

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Screenshot of J.K. Jemisin from YouTube – Found at Vox.com

Addendum: March 4, 2021: I decided to omit the original catalyst for writing this article, since the site and the person behind it has turned out to be rather “difficult” and certainly doesn’t require any free publicity from me.

The Vulture article Who Gave You the Right to Tell That Story by Lila Shapiro wasn’t particularly cringe-worthy. The subtitle is “Ten authors on the most divisive question in fiction, and the times they wrote outside their own identities,” and one of them is triple Hugo Award winner N.K. Jemisin. She’s one of only two people (that I’m aware of) who has blocked me on twitter (the other is Rep. Steve Cohen who didn’t appreciate my saying he had a “fast food body” after he tweeted a photo of himself eating KFC chicken as a snub to Attorney General William Barr). Oh, I can log out of twitter and see their tweets fine, I just can’t tweet to them.

Anyway, Jemisin, who is a woman of color if you didn’t see her photo above, discussed her experiences in writing characters who are unlike her. She states in part:

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Why Ed Kramer is Evil but Marion Zimmer Bradley Isn’t. Go figure

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Undated photo of the late author Marion Zimmer Bradley found at Wikipedia

The world is a funny place. On Mike Glyer’s “fanzine” File 770 this morning, I read an article called New Child Porn Charge Against Ed Kramer. I’d never heard of Ed Kramer before, so I looked him up. According to Wikipedia, he is:

an American editor and convicted child molester. Kramer lives in Duluth, Georgia and was a co-founder and part-owner of the Dragon*Con media convention. Kramer has also edited several works in the genres of science fiction, fantasy, and horror. Before pleading guilty in 2013 to three counts of child molestation, Kramer was the subject of a long-running legal battle that began with his initial arrest in August 2000.

The word DragonCon got my attention. DragonCon has been associated with more conservative elements in Science Fiction and Fantasy. In and of itself, that means nothing. If you’ve been sexually abusing children or been into child porn, you are evil and deserve to be in prison, regardless of your politics.

But what gets me is that certain demographics in SF/F fandom seem to give other, similar people a pass because of their politics and because they are feminists, or at least they seem to do so.

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Jeannette Ng’s Campbell Award Acceptance Speech and Here We Go Again

Author Jeannette Ng – image found at the Angry Robot website

Here we go again. British fantasy writer Jeannette Ng was presented with the John W. Campbell Award for Best New Writer at Worldcon recently, the 47th winner. Of course, she accepted the award, and then began to rip the late John W. Campbell apart, calling him, among other things, a fascist. An edited copy of her acceptance speech is hosted at Medium.com with the profanity removed.

Last December, I wrote an article called Is SciFi Author/Editor Robert Silverberg Really Racist and Sexist (or has the internet once again lost its mind)?. Silverberg had created his own response to allegations of his own racism on File 770, a popular SciFi fanzine after, apparently, he privately said that author N.K. Jemisin‘s 2018 Hugo acceptance speech (the third consecutive Hugo she won for best novel) was “weaponized.”

I looked up Campbell, not knowing much (if anything) about him personally, and found he held a bunch of “difficult” attitudes, but then again, he was a product of his times, having been born in 1910 (he died in 1971 at the age of 61). There’s no denying that Campbell shaped much of 20th century science fiction, having discovered talents such as Robert Heinlein and Isaac Asimov, so it’s certainly understandable that, based on his career, he is worthy of having a science fiction award named after him. Does he have to be a perfect person by 21st century progressive, politically correct standards to still be considered significant?

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Are the Science Fiction “Culture Wars” Still Alive and Well?

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Image found at DragonCon.org

I’ve tried to steer this blog away from the more controversial and/or political topics I’ve covered in the past, but then I read Richard Paloinelli’s missive Wikipedia or WikiPravda?. Richard and I share some similar viewpoints, but I lack many of the wounds and scars he’s received in the past, such as those attributed to Mike Glyer at the File 770 science fiction fanzine. I think I was contended with there exactly once. It actually impressed me, since relative to Glyer’s readership, I’m pretty much a nobody.

In the recent past, I’ve heard that Wikipedia, Patreon, and YouTube have been accused of attempting to shut out politically and socially conservative creative voices through censorship and defunding. Since I’m merely a consumer of Wikipedia and YouTube and wouldn’t know what to do with Patreon, I’ve had no personal experience, but on the other hand, I have no trouble believing they are all biased left, either.

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Blocked: When You Make a Hugo-Award Winning Author Upset on Twitter

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Screen capture from twitter

Yesterday, I wrote and posted a book review of SF/F author N.K. Jemisin’s Hugo award-winning novel The Fifth Season, both here on my blog and on Amazon (considering Goodreads as well).

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Screenshot from twitter

I then posted links of my review on twitter and in a private writer’s group on Facebook. As you can see by the accompanying screenshot, I included Ms. Jemisin’s twitter “handle” in the body of my message in case she might want to read the review (and what author doesn’t want to read reviews of their books?).

As an aside, before someone mentions it, I suppose I could be accused of “trolling” Jemisin…except I wasn’t. All I did was put @nkjemisin into the body of my tweet which also contained a link to my review of her novel. If I had put her handle as the very first word in the tweet, it would have gone straight to her and it would not have appeared in my twitter feed. I didn’t do that. I wasn’t exclusively “aiming” my tweet at her, though I certainly wouldn’t have minded if she saw it and read the review. I suppose she could have taken it the wrong way.

Now to continue:

I popped over to her twitter account just for the heck of it and gave it a brief read. I don’t recall the specific content. I was just curious.

This morning, I decided to post another tweet referencing my review. I do this several times in twitter since folks might miss it the first time or two. I decided to include Jemisin’s twitter name once more, and out of curiosity, visited her twitter account again. Lo and behold, I was blocked. What the heck? What happened in the last 22 hours or so?

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Book Review: The Fifth Season

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Cover image of NK Jemisin’s 2015 Hugo Award winning novel “The Fifth Season

“Jemisin is now a pillar of speculative fiction, breathtakingly imaginative and narratively bold.”―Entertainment Weekly

“Intricate and extraordinary.”―The New York Times

“[The Fifth Season is] an ambitious book, with a shifting point of view, and a protagonist whose full complexity doesn’t become apparent till toward the end of the novel. … Jemisin’s work itself is part of a slow but definite change in sci-fi and fantasy.”―Guardian

“Astounding… Jemisin maintains a gripping voice and an emotional core that not only carries the story through its complicated setting, but sets things up for even more staggering revelations to come.”―NPR Books

“Jemisin’s graceful prose and gritty setting provide the perfect backdrop for this fascinating tale of determined characters fighting to save a doomed world.”―Publishers Weekly (Starred Review)

“A must-buy…breaks uncharted ground.”―Library Journal (starred review)

“Jemisin might just be the best world builder out there right now…. [She] is a master at what she does.”―RT Book Reviews (Top Pick!)

“Wait! What? Sure, it’s an interesting story, but… –Me

I’ve read most Hugo nominated and award-winning novels from 1988 back to 1958, when the Hugos first came into existence, but recently, I decided for the sake of fairness, I should consume more recent popular SF/F novels and stories to see how cultural perception is changing the landscape of speculative fiction. The fact that N.K. Jemisin is a three-time Hugo award winner wasn’t lost on me, particularly after having read her latest controversial historic Hugo Award acceptance speech.

Fortunately, The Fifth Season (2015), the first book in “The Broken Earth” series, was available through my local public library system. Given its obvious “hype,” I was hoping for something spectacular and afraid that it wouldn’t be.

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