Promotional art for the Raconteur Press anthology “The Super Generation.”
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Update: You can now buy The Super Generation on Amazon!
My short story “The Other Place” will be published in the Raconteur Press anthology “The Super Generation.”
Imagine there was a one-time cosmic event that gave certain people superpowers. The event was never repeated and the superpowered people couldn’t pass their abilities on to their children. Only these people in their generation would be the superheroes and villains.
That’s the challenge each author whose stories are within these pages faced. Here’s a small example of my tale:
Cover art for the upcoming Blue Planet Pres anthology “Far Futures 3”
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I mentioned a few weeks ago that my science fiction short story “Confluence” will be appearing in a Blue Planet Press anthology. “Far Futures Three – An Anthology of Deep Space” is now available for pre-order at Amazon!
You can read my original announcement for further details including a short sample of my tale.
The book will become available for sale on October 8, 2024 but you can reserve a copy now. Then in October, it will download onto your Kindle device.
Cover art for the upcoming Blue Planet Pres anthology “Far Futures 3”
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My science fiction short story “Confluence” has been accepted for publication in the Blue Planet Press anthology “Far Futures Three – An Anthology of Deep Space”
The story requirements are:
Space exploration. From the outer planets of our solar system to the edge of the Orion Spur and the even more distant Andromeda Galaxy. How will we get there? Generation ships? Faster than light engines? Dimensional warping? Wormholes?
Hopefully, my tale has a unique perspective on the subject. Here’s a small preview:
© James Pyles
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I forget where I saw Ken Grimwood’s 1986 novel Replay promoted, but it sounded like an interesting story, so I picked up a copy at my local public library. It’s a highly unusual and compelling time travel story.
Jeff Winston is a radio news producer in this late 40s. His job is lackluster as is his childless marriage. He’s at work and gets a phone call from his wife. As she starts speaking, he has a sudden heart attack and dies.
Jeff wakes up in his dorm room, an eighteen-year-old college freshman in the early 1960s. He has all of the memories of his life up to the moment he died twenty-five years in the future. Except that none of that has happened yet. Does it have to happen at all?
The first quarter of the book follows Jeff as he reconstructs his life based on what he knows of the future. In this case, he makes himself fabulously wealthy. Of course he drops out of college. Still feeling like a middle-aged man, the prospect of going through another four-year drudge as an undergraduate looks so depressing. But he does know a lot about major sporting events and which companies are going to be successful in the 1960s and beyond.
Mathilda May as “Space Girl” in “Lifeforce” (1985)
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The 1985 movie Lifeforce was on my “to watch” list more out of curiosity than anything else. I knew it wouldn’t be a great movie, but I wasn’t prepared for how bad it was.
Whatever the producers spent their money on, it wasn’t special or visual effects. The spaceship “Churchill” was a 1980s NASA space shuttle with ridiculously long solar panels. That was made even more silly since the spacecraft was nuclear powered.
The crew is on a joint UK/USA mission to come into contact with Halley’s Comet which visits the inner solar system about once every seventy-five years.
There were tons of technical errors I won’t get into but in the first five minutes, I regretted spending three dollars and change to stream this turkey.
Cover art or “Ruth’s and Ann’s Guide to Time Travel”
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My science fiction short story “The Joker and the Thief” was just accepted for publication into the anthology “Ruth’s and Ann’s Guide to Time Travel, Volume 2.” As I understand it Gemini Wordsmiths is the parent company for Celestial Echo Press.
I’ve worked with Ann and Ruth before and am gratified that they like my small time travel tale. They received so many quality stories that they had to create a second volume to contain them all.
I’ve wanted to have some version of my story published for a while now. Here’s a small sample:
© James Pyles
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Last night I just finished book seven in Martha Wells’ Murderbot Diaries series called Fugitive Telemetry. The story is actually set between books five and six, but that doesn’t take anything away from the adventure.
SecUnit, otherwise known as “Murderbot,” is basically a cybernetic being, mostly machine with some organic parts. They (technically SecUnit has no gender but I always think of her as female for some reason) is a Security Unit designed to provide bodyguard and security protection for humans conducting dangerous off world activities. They are property and although capable of independent thought, are forbidden from independent action. There are consequences.
Our SecUnit managed to override their internal governor in the first book becoming an independent entity. Thanks to her former employers, who are from a very egalitarian space station orbiting a planet currently being terraformed, she (I keep saying “she”) has more rights than she knows what to do with.
© James Pyles
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Last night I finished reading Michael Crichton’s 1999 novel Timeline. I’ve always been a sucker for a time travel story, and this one is more unusual than most.
First, Crichton, who passed away in 2008, was not only an excellent writer, but well-versed in science, medicine, and history. His character descriptions are particularly good, and he always managed to pack plenty of action in his books as well as accurate (historical in this case) details.
My one complaint was his explanation of time travel. Crichton didn’t so much describe traveling back in time as jumping from one quantum reality to another. But the explanation presupposed that the reality being jumped into runs parallel to our own (since, as the novel states, time travel is impossible). Yet a person trapped in the 14th century manages to write a note among scholarly papers in a French abbey that is found by his coworkers in 1999.
I skipped over that part and just pretended it worked.
Promotional art or the 2023 film “Godzilla Minus One.”
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Yesterday, I heard that Godzilla Minus One (2023) was on Netflix starting June 1st. I don’t have Netflix, but I checked and it was available to rent and stream elsewhere so I watched it last night. Lucky me.
This was one of the very few movies I wanted to see in the theater. From the start, it received terrific reviews and was an authentic blockbuster made with the fraction of the budget Hollywood spends on most of their crap.
On top of all that, it won eight awards including an Oscar for Best Visual Effects, an Asian Film Award for Best Sound, and Blue Ribbon Awards for Best Film and Best Actor (Ryunosuke Kamiki). This one hit it out of the park. But would it live up to the hype?
Yes, it did.
The movie wasn’t what I expected. I knew it was a period piece, set in Japan at the end of World War Two, but not much more.
Oh, Spoiler Alert: If you didn’t see it in the theater and haven’t streamed it yet and you want to be surprised, stop reading here.
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