Promotional image for the Black Hare Press anthology “Lockdown Sci-Fi #3”
Black Hare Press is producing a number of “lockdown” anthologies, all based on themes of SciFi, Horror, Fantasy, Phantom, and Paranormal Romance. My short story “The Apollo Containment” was just accepted into Lockdown Sci-Fi #3 (on that page, keep scrolling down).
Cover art for the Mars Planetary Anthology by Tuscany Bay Books
Okay, the title is inaccurate, but that’s only because I forget to include one of my own when I crafted my missive and submitted it to Richard Paolinelli.
Tuscany Bay Books as part of the effort to raise awareness of their Planetary anthology series.
Today, I discuss my short story “The Billion Year Love,” which will appear in the anthology Mars.
I’m thrilled that my short story “The Three Billion Year Love” was accepted into the Tuscany Bay Books Planetary Anthology Mars. I wrote an earlier version of the story on my blog shortly after the death of Star Wars actress Carrie Fisher (the protagonist’s wife is named after her). This was at a point in my life that, for a variety of reasons, I was wanting to be able to retreat from humanity.
Promotional announcement for the Zombie Pirate Publishing anthology, “Raygun Retro”
As my regular readers know, my short story “Buried in the Sands of Time” is being featured in the Zombie Pirate Publishing SciFi anthology RAYGUN RETRO: A Science Fiction Anthology.
I was recently interviewed as one of the contributors to “Raygun,” and that interview has since been published on ZPP’s Facebook page. Here’s an excerpt:
– Hi, what is your name and where are you from?
James Pyles. If you mean where was I born, that would be Omaha, Nebraska, USA. If you mean, where do I live, after quite a bit of wandering, my family and I settled near Boise, Idaho.
– Tell us about your story. What inspired the idea?
Image: hongkiat.com
Editing an over 28,000 word novella takes a long time. I’m actually okay with that, since I’m not (paid) working today, and we don’t have the grandchildren. My wife is going nuts since she’s far more social than I am, and she’s spent long periods of time talking by phone to our daughter and my Mom.
I thought I’d share portions of my current work in progress (WIP), which involves space travel, time travel, espionage, aliens, and real technology. I’m especially proud of the research I did on mid-1960s American spy satellites.
Here’s a sample of what I’ve been working on. Let me know what you think (and remember, this is not the polished form):
“That son of a bitch,” Smirnoff spat out as ear-splitting klaxons and flashing alarm lights on the bay’s walls announced the opening of the primary launch doors over fifty feet above their heads. “What’s he doing? Romanovich knows the first trial flight isn’t scheduled for six weeks, and Cosmonaut Dobrovolsky won’t arrive here until next Tuesday.”
Utkins could smell stale cigars and vodka on his breath. “Well, Lieutenant! Stop that ship. Don’t let it get off the ground!”
She screamed at her troops and they all rushed forward. Smirnoff ranted at nearby technicians to override the launch bay doors as they were vainly pounding keys and gibbering something about the security lockouts being disabled.
The ramp had been fully retracted by the time the Lieutenant’s complement reached the ship. She ordered them to fire their rifles, sparks flaring off the impervious skin.
To the left, from around the edge of the craft, the two men Smirnoff had ordered to check Romanovich’s quarters were accompanying a very recognizable, diminutive figure, spindly legs extending out of oversized boxers. “Fuck you, Volkov,” Smirnoff murmured with satisfaction. “I see Romanovich pulled one over you.” Then he watched as a blast of force exploded outward from the slowly rising spaceship, vaporizing the irritating Lieutenant and seven other “heroes” of the state.
Cover art for the 1968 edition of “First Lensman”
I’ve been reading the legendary E.E. “Doc” Smith‘s Lensman series recently. After Triplanetary (1948 – originally published as a serial in 1934), which really wasn’t about the Lensmen, but did introduce a few key characters, came First Lensman (1950) which still gave off more of a 1930s flavor.
While readers get their first real glimpse into the lives and power of the Lensmen, the tale reveals itself as terribly dated. The “good guys” are very “North American” centric, women don’t have minds compatible with interacting with the lens, and our guys are scrupulously honest and forthright.
As with “Triplanetary,” I sometimes found it difficult to keep track of scene changes and figure out where I was in the story from one point to the next.
Along with the purely space opera aspects, there were heavy political overtones, no doubt reflecting Smith’s actual viewpoints.
© James Pyles
As my regular readers know, my short story “The Colonists” is featured in the Cloaked Press anthology Spring Into SciFi 2020. The book, including my story, was recently and favorably reviewed.
Today, my personal copy of the anthology was delivered as you can tell from the image at the top of the page.
Social media meme
First off, I’m going to say for the record, that a lot of you aren’t going to like this.
My previous blog post Presenting “What good are constitutional rights if they are violated when Americans get sick? drew a certain amount of attention because (I believe) there’s this notion that governmental intervention in the face of the COVID-19 pandemic (lockdown, quarantine) and U.S. constitutional rights are mutually exclusive. That is, you can’t be a responsible citizen in this crisis and still retain civil rights.
If you complain that there is a potential for certain governments to take advantage of the crisis to not only temporarily relieve citizens of their rights, but to plan to never give those rights back after the crisis has passed, you are considered something like a “pandemic denier” (and there are a few other things that being accused of being a “denier” is like being accused of mass murder).
However, as the graphic and title above suggests, it’s okay to be all three.
That said, I’ve seen a few things on twitter lately that have caused me concern.
Found at superversivesf.com. No image credit given
So the usual pattern for me and short stories is that I see a submissions call from (usually) an indie publisher, I read the particulars, look at the submissions deadline, and say to myself something like, “I can do that.”
Then as the deadline approaches, and I’ve met all (or most) of the other submissions deadlines I’ve set for myself, I try to come up with an idea for a story that fits the bill.
I prepare a Shunn formatted document, since that’s, more or less, the industry standard, for use as my manuscript pages. Then I copy the submissions requirements into a plain text document, and using other plain text files, create a plot sheet, a character sheet, and any other resources (in a long or complicated story, usually a bunch of URLs leading to research pages) necessary to create the background for my tale. And then I start writing.
I’ll skip over a lot of angst, and let’s say I have finished the first draft, edited it within an inch of its proverbial life, and then finally submitted it, using the method required by the publisher.
And then I wait.
Announcement graphic from Zombie Pirate Press
You don’t want to miss this promotion. Zombie Pirate Publishing is offering the kindle edition of their anthology CLOCKWORK DRAGONS: A Fantasypunk Anthology as an absolutely free download from Amazon for the next five days.
You can’t beat the price.
Features my steam/fantasypunk short story The Mechanical Dragon:
Table of Contents for the Zombie Pirate Publishing anthology “Raygun Retro”
RAYGUN RETRO: A Science Fiction Anthology, edited by Adam Bennett and Sam M. Phillips over at Zombie Pirate Publishing, is only about two-and-a-half weeks from publication. It’s available for pre-order now for delivery to your kindle device May 1, 2020.
Above is the official table of contents for the book, and includes my short story “Buried in the Sands of Time.”
Here’s a preview. Remember, the idea behind the anthology is to create an “old school” SciFi tale, something reminiscent of the early tales of E.E. “Doc” Smith, Asimov, or Heinlein.
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