Tag Archives: film review

Movie Review: “Thunderbolts” (2025)

thunderbolts

© James Pyles

I didn’t anticipate watching Thunderbolts* (2025), yes the asterisk is supposed to be there, but it was at the public library in the new films section, so I figured “why not?”

It was actually better than I thought, but you have to accept it for what it is. I’ll get to that.

Spoiler Alert: This review is loaded with them, so if you haven’t seen the movie and want to be surprised, stop reading now.

Pet Peeve Alert: The characters of Yelena and Alexei were once part of a spy cell pretending to be a typical American family and as such they spoke perfect English. Why, oh why are they now speaking in heavily accented English just to prove they are Russian? It’s stupid.

Now let’s continue…

Basically this is Marvel’s…I was going to say “B-Team” but they aren’t even that high on the list, well most of them anyway…trying to carve their way into being heroes when most of them at least have histories as villains if not actually still being on that list.

We start out with Yelena Belova (Florence Pugh), Natasha Romanoff’s (Scarlett Johansson) secret agent sister (see the 2021 film Black Widow) still living the life of an assassin for the CIA killing people and stealing stuff. She’s totally empty and alone and has no purpose in her life, still grieving over Natasha’s death as seen in Avengers: Endgame (2019).

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Movie Review of “Superman” (2025)

superman

© James Pyles

Last night, I watched James Gunn’s Superman (2025). OMG, where do I begin?

Oh, Spoiler Alert. This review is full of them.

First of all, let me say that I get where Gunn was taking the film and the character. He was balancing Superman as an alien vs Clark as a human. This is seen both in how goofy (in my opinion) both Superman and Clark (played by David Corenswet) appear and behave. Face it. Clark really doesn’t have to act like an inept nebbish to keep people from finding out he’s Superman. Why would people even believe Superman has another identity and if he did, he could be anyone living anywhere.

The secret to Clark’s insecurities, sometimes unstable behavior, and pathetically Boy Scout (even by campy comic book and earlier movie and TV standards) actions and attitudes lies in his humanity, in being raised by Martha and Jonathan Kent on a farm in Kansas.

The Kents, played by Pruitt Taylor Vince and Neva Howell respectively, are the quintessential country hicks. I’ve worked in rural settings before, and Ma and Pa Kent might as well have been Ma and Pa Kettle. They weren’t necessarily strong or heroic and are never seen struggling over raising a son from outer space. They’re “just plain folks” and their defining characteristic is how much they love their son.

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Review of “Captain America: Brave New World” (2025)

brave

© James Pyles

Last night, I watched a couple of movies I got from my local public library branch. The first one was Captain America: Brave New World (2025). I have to agree with the opinions of most of the other folks who have long since seen this film. It wasn’t too bad, but it wasn’t great either.

Spoiler Alert: Before I go on, be aware there are plenty of spoilers below. You have been warned.

I should say that I’ve never seen any episodes of the TV show The Falcon and the Winter Soldier (2021) nor do I intend to. I’ll assume that the little bits and pieces in the movie I didn’t understand such as who the heck Isaiah Bradley (Carl Lumbly) was supposed to be were introduced in that series.

It seemed a little improbable that Thaddeus “Thunderbolt” Ross (Harrison Ford) was President of the United States given how hostile and aggressive he had been across his military career. Then again, there were a few small parallels to our real-life President Donald Trump, so maybe it wasn’t such a fantastic leap.

The movie, from what I understand, was styled after any number of political thrillers involving dark conspiracies. That said, I think Captain America: The Winter Soldier (2014) did a better job in that arena.

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Film Review of “Sketch” (2024)

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Promotional poster for the film “Sketch” (2024)

My ten-year-old granddaughter and I just got back from watching the 2024 movie Sketch, which just had its general release to U.S. theaters yesterday.

Spoiler Alert! This is a brand new film, so if you don’t want to know more, stop here. Well, actually, you should know up front that the PG rating pushes right up against PG-13 for violence and horror. It is actually a children’s horror movie but without the blood, guts, and killing. However, it’s pretty intense.

The story surrounds a Dad Taylor Wyatt (Tony Hale) and his two kids Amber (Dianca Belle) and Jack (Kue Lawrence). The mother has died (no details) and the Dad’s response is to pretty much bypass the anguish and grief and try to push the family beyond it.

That doesn’t work out so well for Amber. She’s always liked to draw, but now, her creations take on a much darker tone including depicting a monster attack on a bullying schoolmate (Kalon Cox as Bowman Lynch). This comes to the attention of a school counselor who actually encourages Amber to draw her darker feelings rather than acting on them (such has having her monsters suck out Bowman’s eyeballs).

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Movie Review of “Lifeforce” (1985)

Mathilda May as “Space Girl” in “Lifeforce” (1985)

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The 1985 movie Lifeforce was on my “to watch” list more out of curiosity than anything else. I knew it wouldn’t be a great movie, but I wasn’t prepared for how bad it was.

Whatever the producers spent their money on, it wasn’t special or visual effects. The spaceship “Churchill” was a 1980s NASA space shuttle with ridiculously long solar panels. That was made even more silly since the spacecraft was nuclear powered.

The crew is on a joint UK/USA mission to come into contact with Halley’s Comet which visits the inner solar system about once every seventy-five years.

There were tons of technical errors I won’t get into but in the first five minutes, I regretted spending three dollars and change to stream this turkey.

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Movie Review: “Arrival” (2016)

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Promotional image for the 2016 film “Arrival.”

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I watched Arrival (2016) starring Amy Adams and Jeremy Renner last night. I’m doing some research for a short story I’m writing and trying to talk to aliens is a big part of it.

The original novel and screenplay were written by Ted Chiang, whose name I recognized because I recently reviewed his short story anthology Exhalation. I didn’t like it very much, and I enjoyed the movie a lot better.

I should say I even recognized the name of director Denis Villeneuve and, having looked him up, realized it was from his work on Blade Runner 2049 (2017).

The movie isn’t fast paced at all, which makes sense if it’s written by Chiang. He has the sort of mind that loves solving puzzles and delving into intellectual mysteries, but not so much a lot of explosions and car (or spaceship) chases.

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Film Review of “Godzilla Minus One” (2023)

minus one

Promotional art or the 2023 film “Godzilla Minus One.”

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Yesterday, I heard that Godzilla Minus One (2023) was on Netflix starting June 1st. I don’t have Netflix, but I checked and it was available to rent and stream elsewhere so I watched it last night. Lucky me.

This was one of the very few movies I wanted to see in the theater. From the start, it received terrific reviews and was an authentic blockbuster made with the fraction of the budget Hollywood spends on most of their crap.

On top of all that, it won eight awards including an Oscar for Best Visual Effects, an Asian Film Award for Best Sound, and Blue Ribbon Awards for Best Film and Best Actor (Ryunosuke Kamiki). This one hit it out of the park. But would it live up to the hype?

Yes, it did.

The movie wasn’t what I expected. I knew it was a period piece, set in Japan at the end of World War Two, but not much more.

Oh, Spoiler Alert: If you didn’t see it in the theater and haven’t streamed it yet and you want to be surprised, stop reading here.

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Review of the Movie: “Demolition Man” (1993)

demo poster

Poster for the 1993 film “Demolition Man”

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Last night I finally got around to watching the 1993 film Demolition Man starring Sylvester Stallone as Detective John Spartan (some of these made up names are lame) and Wesley Snipes as Simon Phoenix. This is an action/adventure science fiction film with some unique insights on the future, but I’ll get to that.

The story opens in 1996 Los Angeles. Spartan is in a helicopter with two other cops (the pilot Zachary Lamb is played by Grand L. Bush, who played “Little Johnson” in the 1988 classic Die Hard).

Spartan is closing in on his nemesis, the notorious criminal Simon Phoenix, who is holding hostages taken from a commercial aircraft. This L.A. is even more brutal and lawless than the actual Los Angeles in the 1990s, already establishing a break between the film and the reality of the audience.

In typical “Rambo” style, Spartan breaks into the bad guy headquarters and caps off all of the baddies before confronting Phoenix. A heat scan didn’t show any signs of the hostages and Spartan and Phoenix fight over where they are. But Phoenix has rigged enough gasoline and C4 to blow the building into orbit.

Spartan drags Phoenix outside just in time before the whole building goes up (there’s a reason Spartan is called “The Demolition Man”). Turns out the hostages were in the building all along. Phoenix said that Spartan knew that and didn’t care. I guess L.A. coroners in this movie are dumb because they should have figured out Phoenix killed the hostages (no heat signatures) well before Spartan’s arrival.

Both Phoenix and Spartan are convicted of their crimes. Spartan is sentenced to 70 years cyrofreeze. While he’s under, his brain will be reorganized to give him more productive behaviors upon thawing. So both of these men undergo a deep freeze.

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Review of “Meg 2: the Trench” (2023)

Promotional poster for the film “Meg 2: The Trench” (2023)

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Yes, last night I was so bored I watched Meg 2: The Trench (2023) starring Jason Statham, Jing Wu and Shuya Sophia Cai.

I watched and reviewed the original back in 2018 (and I previously read the book upon which it was based). It was “okay,” no great film, but a way to kill a couple of hours if you’ve got nothing better to do.

That’s pretty much the same summary for “2.” Keep in mind that in any logical, scientific, or historical sense, the events in these movies don’t work. They are present for their shock and delight value (who doesn’t wish that the biggest, toughest shark in all of history would show up, just once?).

Statham, who not only starred in this movie but produced it, admitted that as long as the franchise makes money, they’ll keep making “Meg” movies. That’s about it. No other message involved. It’s refreshing.

This time it’s not one or even two Megs we’re dealing with, and it’s not just Megs.

The movie opens up around eight years after the original. Meiying is now 14 years old and with her mother and Grandfather having died in the first film, she’s being raised by Jonas Taylor (Statham) and her uncle Jiuming Zhang (Jing Wu).

The Meg baby introduced in the first movie is now a full grown female and still in captivity in a reserve in Hainan. Jiuming has named her Haiqi and believes she is trainable. Jonas thinks he’s nuts.

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Review of “John Wick Chapter 3: Parabellum” (2019)

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Poster for the 2019 film “John Wick Chapter 3: Parabellum”

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As I mentioned in yesterday’s review of John Wick: Chapter 2, today I’m reviewing John Wick Chapter 3: Parabellum (2019).

It picks right up where Chapter 2 left off with John and his no name dog on the run. At first, as the one hour grace period granted him by Winston (Ian McShane) is being counted down by the announcer at “the office,” John seems to be running aimlessly. Of course it’s raining again, because rain makes everything seem more tragic and desperate.

All of the assassins in New York (I swear, half the city is made up of assassins) are eyeing him, waiting for the hour to expire. He finally gets an idea and hops into a cab, telling the driver to go to the New York Public Library (I’m assuming the main branch based on the interiors). However traffic is a nightmare (it is Manhattan). He gives the driver his last special gold coin (so the driver is part of the criminal underworld, too?) and tells him to take the dog to the Continental, making sure the dog gets to Charon personally (he does this, so “dog” is handled).

Next, John runs into the library and requests a specific book on Russian fairy tales. Finding it, he unseals a hollowed out opening to find an ornate rosary, several more coins, a marker, and a photo of him and his wife (Bridget Moynahan). There, even though his time isn’t up, he’s attacked by a very large man named Ernest (Boban Marjanovic) who says no one will know he was early.

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