Film Review of “They Live” (1988)

they live

Scene from the 1988 film “They Live”

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I’ve been seeing memes based on this film for years, but last night I finally got around to watching John Carpenter’s They Live (1988) starring Roddy Piper, Keith David, and Meg Foster.

This is supposed to be one of those “cult classics” and I can see why. That said, it hardly qualifies as one of Carpenter’s best movies. The plot had holes big enough to drive a truck through, the acting for the most part was pretty flat (especially from Foster, which surprised me), and at best, it was a middle-of-the-road movie.

Actually, Keith David as Frank turned in a good performance as did Peter Jason as Gilbert, and George “Buck” Flower (more on him in a minute) as the Drifter.

The basic story is about a homeless construction worker named Nada played by Piper (the character is never named in the movie) who wanders into L.A. Along the way he encounters a blind Street Preacher (Raymond St. Jacques) who rants less about God and Hell and more about how “they” are taking away our freedom and turning us into slaves.

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DVD Review of “Ant-Man and the Wasp: Quantumania” (2023)

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DVD cover for the movie Ant-Man and the Wasp: Quantumania

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A few days ago, I checked out a DVD of the film Ant-Man and the Wasp: Quantumania (2023) at the public library (so it didn’t cost me a cent) and got around to watching it yesterday.

First of all, I miss the “Wombats” (Michael Peña as “Luis,” David Dastmalchian as “Kurt,” and Tip T.I. Harris as “Dave”). I understand there wasn’t a place in them given the story, and they weren’t as well utilized in Ant-Man and the Wasp (2018) as they were in the original Ant-Man (2015), but they’re great comedy relief.

Secondly, I miss Abby Ryder Fortson as Cassie. I know the MCU blipped ahead five years so the actress (now age 15) would be too young, but she was a lot of fun. I also know that an older daughter for Scott Lang (Paul Rudd) means she can join him on his adventures, but at 26, Kathryn Newton, who replaced Emma Fuhrmann in the role after Avengers: Endgame (2019) might be a little bit too “old” (Fuhrmann is only 21 which is just about right).

Most of the movie seemed to be pretty much in the dark, which made it hard for me to tell what was going on half the time. For instance, in the opening sequence with Janet (Michelle Pfeiffer) and the Traveler/Kang (Jonathan Majors), I couldn’t see their faces and had no idea what was going on until later in the film.

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Review of “Top Gun: Maverick” (2022)

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© James Pyles

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So I finally got a chance to watch Top Gun: Maverick (2022) on Blu-Ray last night. Excellent film. It’s not the sort of movie I would normally review for a science fiction / fantasy blog, but it’s just so much fun.

I haven’t seen the original Top Gun (1986) since it was in VHS in the late 1980s (yeah, I know) and I remember almost nothing about it. I was worried that would cause me to have problems understanding the current film, but that wasn’t an issue.

After all, the movie had to appeal to young audiences who had probably never seen the original. There were enough cues to point back to the first film and make plain how those events were attached to what’s happening in the “present.”

Pete “Maverick” Mitchell (Tom Cruise) is apparently living in a dilapidated aircraft hanger endlessly repairing a vintage P-51 Mustang. He’s also test piloting an experimental aircraft as a contractor for the Navy, a plane that’s supposed to be capable of flying Mach 10 (roughly 7672 mph/12348 kph).

He’s only supposed to test the craft at Mach 9 on that day but the project is about to be scrubbed by Admiral Cain (Ed Harris) who wants to divert funding to an unmanned experimental aircraft.

Maverick, out to save the project, launches and achieves Mach 10 over the Admiral’s orders, but then exceeds that speed and destroys the aircraft. Apparently, he’s able to bail out without dying (this movie frequently violates the laws of physics), and before Cain can ground Maverick, new orders come in for Mav to return to the Top Gun naval aviation school we saw in the first movie.

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Movie Review of “M3GAN” (2022)

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© James Pyles

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Last night (as I write this), I watched the 2022 horror film M3GAN.I normally don’t watch horror films. I’m not overly fond of being terrified and calling it “entertainment.” However, I do have an interest in AI and humanoid robots. So a few days ago, when I saw the Blu-Ray at my local public library, I decided to give it a whirl.

The disc gave me the choice of watching the theatrical version (PG-13) or the unrated version (anything goes). Naturally, I selected the latter.

The story begins with a little girl (Violet McGraw as Cady) in a car with her parents going on a ski trip. The girl is playing with an advanced robotic furry doll run from her tablet and invented by her aunt. Snow in the ground, icy roads, fog, and a snowplow out of nowhere, and the parents die in a car crash.

Meanwhile her aunt Gemma (Allison Williams) who is supposed to be developing a better, cheaper furry AI doll with her team Tess (Jen Van Epps) and Cole (Brian Jordan Alvarez) are actually working on a prototype “child” android named M3GAN (Model 3 Generative Android).

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Review of Black Panther: Wakanda Forever (2022)

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Poster art for the film “Black Panther: Wakanda Forever”

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Black Panther: Wakanda Forever (2022) obviously would have been a completely different film if Chadwick Boseman hadn’t died. However, it also would have been a very different film if the role of the Black Panther/T’Challa had been recast.

As it was, the movie started with T’Challa’s funeral. Later in the film T’Challa’s and Shuri’s (Letitia Wright) mother Ramonda (Angela Bassett) tragically dies. Shuri has to bear the burden of both their deaths and indeed, the overarching theme of the film is loss, remorse, vengeance, and recovery.

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Scene from the film “Black Panther: Wakanda Forever”

Add to this the story of how Namor (Tenoch Huerta) lost his mother. In fact there’s a scene toward the end of the film of how both Namor and Shuri each “buried” their mothers. Riri (Dominique Throne) recalls her father’s death as well.

We can only imagine the ultimate resolution for Namor and Rini but we see Shuri’s acted out as she has to decide who it is she will be as the Queen of the Wakanda and the Black Panther.

Overall, the film was satisfying. I can’t say it was on par with the Black Panther (2018) but (and this is going to sound bad) it was much better than I expected.

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Review of Doctor Strange In The Multiverse of Madness (2022)

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Last night I watched Doctor Strange in the Multiverse of Madness (2022).

I got the Blu-Ray from my local public library so it didn’t cost me a cent. I was concerned because the film has mixed reviews and I didn’t necessarily want to waste my time on a turkey (like just about every Marvel TV show on Disney+ to which I thankfully do not subscribe).

It was…okay. Actually not bad at all, although somewhat flawed.

Spoiler Alert: If you haven’t seen the movie and you hate spoilers, stop reading now.

Doctor Stephen Strange (Benedict Cumberbatch) has a strange (no pun intended) multi-dimensional dream (part and parcel for Dr. Strange in the 1960s and 70 comic books) where he is trying to reach some sort of goal with a young girl (America Chavez played by Xochitl Gomez). Some dark force is trying to take her powers and he becomes too injured to help her. Chavez comes nearer to the goal but is then stopped by the creature. Strange believes the only way to stop the creature from stealing her powers is to steal them himself. Then he wakes up. It was a dream.

Or was it?

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Film Review of “DC League of Super-Pets” (2022)

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Movie poster for “DC League of Super-Pets.” (CNS photo/Alon Amir, Warner Bros.)

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Who knew the first movie I’d see in the theater since Rise of Skywalker (2019) would be DC League of Super-Pets (2022). Let me explain.

My son and his wife went on a camping trip, so they dropped my seven-year-old granddaughter off at my wife’s and my house at 9:30 Saturday morning. My wife suggested we go see a movie together. After searching for what was available for kids, I wanted to see Minions: The Rise of Gru (2022). She’d already seen it but hadn’t seen the Super-Pets movie yet. Of the two, I knew “Minions” had better reviews, but what the heck?

As far as my overall impression of “Super-Pets,” let’s just say it was fun for seven-year-olds.

Actually, in many ways, it was pretty standard fare for a “buddy” movie. You have two buddies, in this case Superman (voiced by John Krasinski) and Krypto (voiced by Dwayne Johnson) and then a woman, Lois Lane (voiced by Olivia Wilde) gets in the way. Krypto gets jealous and that’s what causes all of the problems.

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Review of “Ghostbusters: Afterlife” (2021)

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© James Pyles

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I finally managed to see Ghostbusters: Afterlife (2021) when I found the Blu-ray at my local public library. Actually, like the blurb says on the Blu-ray cover, it is “perfect.”

Not absolutely, but it was an amazing experience, especially for a film that is so different from the original (I still haven’t seen the 2016 gender-flipped reboot and we will speak no more about it here).

First of all, McKenna Grace totally nailed it as Igon’s nerdy granddaughter Phoebe. I was a little dubious about a bunch of kids trying to be Ghostbusters, but I really loved how the film pulled it off.

It’s such an unlikely setting, a rural town and former mining community in the-middle-of-nowhere Oklahoma, but it worked.

Callie (Carrie Coon), Igon Spengler’s (the late Harold Ramis) daughter and her two kids Phoebe and Trevor (Finn Wolfhard) are evicted from the apartment somewhere (the location is never disclosed), and go to the only place left to them. A year ago, Igon died and Callie hopes to sell his farm to recoup her losses. No such luck.

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Film Review of “The Batman” (2022)

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I watched The Batman (2022) starring Robert Pattinson, Zoe Kravitz, and Jeffrey Wright last night on Blu-ray (thank you public library system). It was basically a PG-13 horror film more than a superhero movie.

Pattinson’s Bruce Wayne and Batman were both portrayed as terribly dysfunctional. Wayne himself was a noted recluse who ignores the running of his company even at the urging of Alfred (Andy Serkis). The murder of Thomas and Martha Wayne was twenty years ago and The Batman has been operating in Gotham for two.

The real mystery of the movie is how Batman and Police Lt. Jim Gordon (Wright) managed to get so close, and how Gordon pulls so much clout that he can get Batman to an active crime scene investigation past thirty cops.

Actually, the story begins with the Riddler (Paul Dano) stalking and gruesomely murdering Gotham’s Mayor Mitchell (Rupert Penry-Jones). The more canonical Riddler tended to range from playful to clever, but while this one is good at puzzles, he’s also sitting on a terrific amount of rage. He wears glasses on the outside of his mask and the moment when the audience realizes he’s in the same room as the Mayor is when we see a dim light reflecting off of the lenses. The effect is chilling.

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Film Review of “Eternals”(2021)

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It was six minutes into watching Eternals (2021) when I first realized I was bored and at 47 minutes I did what I didn’t expect myself to do. I turned the movie off and returned the disc to its case.

I checked the movie out from my local public library, so it didn’t cost me a dime, but at a run time of two hours and thirty-six minutes, it would drain away that much of my life to watch. It didn’t “do it” for me.

Unlike the other Marvel movies I’ve watched, I had no connection to the original comic books. I’ve never read any of them. So there was no nostalgia to drive me forward. The movie lived or died on its own for me. Well, it died.

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